SakeTami
Bramley Apple
Bramley Apple

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What you can't see.

Considering the situation we were working in on Sunday, Miss Blondt and I made a great job.
The cramped hotel room has left no trace in this photo, and the model is just placed on a nice off-white limbo with an interesting shadow casted in front of her.
People observing the photo have no idea she was actually checking not to step on the 2 opened suitcases on the floor, and that the photographer was seated on the bed.
The only thing we're aware of in this picture is the perfectly tuned body of this Danish beauty, and we don't care about anything else.

Also this photo was shot on the Nikon D810 + 50mm f1.4 AF-D at F5.6, so the depth of focus is generous, and all important elements are in focus.

The other photo I'm posting today on regular social media feed was shot on the Fujifilm GFX 50S II + "Martin" (the Zeiss T* 1,4/85mm Planar ZF named after the Patron that sponsored part of the purchase) set between f2.8 and f4.
The medium format sensor, longer focal length, wider aperture, and closer focusing distance are making the focus plane much more selective, so only the nearest eye is sharp, and most of the rest of the topless portrait is vanishing away.
Not sure which of the 2 approaches you prefer, but you're getting both today.

If you want to learn more about the Bramley Apple Project or Archives, or DA subscriptions, ask me on bramleyapple@yahoo.com

What you can't see. What you can't see.

Comments

That was clever with the situation you were in. 👍 Marvelous shot. 🌹

SuperSnideAlex

Exquisite.

Daniel974


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