Marc Silvestri's art on Uncanny X-Men was so exciting when I was 11. The costume designs in Inferno were racy and doubtless damaged me and many other pre-teen boys forever. These were lurid comics but within the framework of the Comics Code, a tension that I always think makes things better. I admire the nod toward equal opportunities in these comics; Havok endures a ripped-costume loin cloth that all but ensures that everyone in the late 80s X-family has seen his junk.
I inked this page purely because it features not one but two classic Silvestri up-the-nose shots. I landed the first one but not the second, I think he'd cheated with his nostrilry because you couldn't make it work if you considered the wider nose.
This page was originally inked by Dan Green. Dan patently didn't think the background X-Men in panel 4 deserved much attention. Fair enough, if I had to draw a team book, I'd lose the will to live on every page. Archangel's convoluted body pattern was clearly a "fuck it" moment, Dan just draws anything. Though for all we know, Marc just wrote the word "Archangel" in the space where the figure appears.
I couldn't find any consistency in Polaris' costume. What's going on in panel 1? Storm has got a handful of something that I'm not sure is actually present. The excitement of those choppy inks on the original hides a multitude of mysteries. To check the colours (and indeed, what on earth was going on with all that cross hatching), I found this beautiful contemporary page by Bret Blevins and Terry Austin. Check out those faces - peerless stuff. And if I may say so, that's a masterful trip up the nose in panel 2.

Brian Perler
2020-09-29 16:55:54 +0000 UTCJeremy Impson
2020-09-29 15:42:11 +0000 UTC