I used to have an English professor who said “all language is quotation”. Which I loved.
He was a great professor. He’d come in with his lecture all written on scraps of paper and napkins, and speak in incredibly elegant and well constructed periods. I’d take notes at a mile a minute, and try to remember his neat dense turns of phrase to enjoy privately later.
If you think about how you learned the meaning of any word, particularly early on, you tend to have learned it by reference the objects or situations to which it applied.
Like, all the different things you saw that were blue - they were actually different shades of blue. Not the same thing at all... but you eventually learned the span of shades that can all be called blue. Which means your ‘inner blueness range’ is probably a few shades to the left or right of someone else’s ‘blue’ bracket.
And then you probably also learned that blue can be an emotional descriptor. And then the other more optional (?) layers of the meaning of the word blue. Political symbolism, as a euphemism for swearing, as a descriptor for a state of cookedness in steak.
But all language is like that; you learned it first by context, as a quotation. All language is a moving mass of meaning and association, shifting over time, and ideally it will have some overlap in understood meaning with the person you’re talking to.
Which brings me to my thought about comedy and rhetoric (all sorts of speech, really). Which is that there’s a great pleasure in a beautiful joke or turn of phrase. The pursuit of language is often trying to articulate something very precisely. But it’s important in my mind to remember that what you’re saying is essentially always just pointing in a direction. It’s gestural; impressionistic; a vague waving in a direction of a thought you’d quite like your audience to have.
Which is why live performance often feels more meaningful; because you can get the whole vibe and not just the words. It’s about tone and body language and the presence of emotion.
But of course, the whole point of civilisation is that words do have meaning. Or they should, or we have to all subscribe to the legal fiction that they do, or we’d all get nowhere. *
Xx
A
Speaking of speaking, I’ll see you lovely Afternoon Tea + level people at 8pm U.K. time, Tuesday 24 Nov (which is Aus 25th 7am) for the next salon.
P.S. as ever, do share this about if you like it. It helps.
* Trump is particularly good at a sort of borderline abstract painting of meaning; his vocabulary is incredibly limited, and his meanings lie less in the words themselves than the emotional directionality that they gesture towards. Very broad brushstrokes, all sweeping the attention in a particular direction. He leaves his suggestive, evocative sentences open with ellipses so people can fill in their own details and it’s very effective, particularly when seen as a whole performance. It’s also very easy to be confused about how he is so effective as a persuasive speaker if you only see him in short clips.
Martin Rodgers
2020-11-24 11:24:22 +0000 UTCTony Liang
2020-11-24 00:14:00 +0000 UTC