ETA: okay! I’ve made the call. I’m going to NOT have a 2 drinks minimum and will pay the extra 25% on venue hire.
It’s worth it to get back in the flow of live performance, and I we can make it so nobody loses money, as long as people come.
I’ll explore livestream options, though there is some reluctance on their part; the premise being, if people can watch from home, why would they come to our venue? (A premise with which I don’t particularly agree)
We’ll see how this works. Sydney gang, put the evening of 27th November aside in your calendars for an Alice Fraser hour of some sort. Non-Sydney people (and people in Sydney who can’t do live gigs), I’ll see what I can sort out on the streaming side if I put the case to the venue.
Thankyou all for your well-considered thoughts! It’s a privilege to be able to pull back the curtain like this and cut the Gordian knot of guesswork and the industry pressure to present a razzle-dazzle, ‘we bring you’ / ‘by popular demand’ view of my work. You’re all fantastic and I am full of joy to have you in my life.
Xx
A
—-/
Hallo! I’m in the prongs of a mild dilemma right now, and I’d love your thoughts.
The Sydney Comedy Store is offering me a date for a solo show at the end of November, which is lovely.
It would be a socially distanced gig, which means they can sell fewer than half their normal complement, which makes the financial side of the gig somewhat sidewards.
They’re proposing that I sell (fewer) tickets at a ‘normal’ price BUT with a “two drink minimum” appended, which I feel a bit weird about.
The alternatives are:
That’s the picture from my perspective. Is there something I’m not thinking of? What would you suggest?
Xx
A
Peta Thames
2020-11-03 01:52:31 +0000 UTCCamille R
2020-10-29 10:39:38 +0000 UTCTony Liang
2020-10-27 12:32:23 +0000 UTC