Dimitri and Khalid discuss the extraordinary career of Paul Robeson and the psychopathologizing of his Communist convictions, his struggles in 1930s Hollywood and revolutionary expropriation of โOld Man Riverโ, getting erm-listed by white liberals from The Nation to KPFK, the HUAC hearings as Cold War Theatrical Warfare, his championing of the pentatonic scale, and his WW2-era framing of socialism/communism as โ20th century Americanismโ. Part I of II.