Before I get into it, I just want to say hello and welcome to everyone who’s recently joined the Abroad in Patreon!
The first part of today's post on City Pop music is a topic I actually discussed on Patreon earlier this year, but having recently updated the music playlists and with so many new faces, I thought it'd be great to re-share my thoughts on why City Pop music is so damn good.
- And how it's kept me sane over the last half decade.
(Stick around for the Abroad in Japan studio set designs!).
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It’s hard to believe there was point when City Pop wasn’t in my life, given I’ve listened to it pretty much every day for 5 years now.
I can’t remember the first time I discovered it, whether someone sent me a link or if I stumbled across it myself; an entire genre of forgotten music from the 80’s resurfacing online and quickly gaining popularity.
City pop (シティ・ポップ) took off in the late 70’s and become popular in the 80’s with the booming Japanese economy, an affluent middle class, and the rapid adoption of portable music players like the Sony Walkman.
For me I associate it with funk music and when I listen I feel as though I’ve been transported back to a disco in 1980’s Tokyo, where people were throwing money around and acting as though the good times would never end (before they abruptly did in the 90’s when the economy tanked and the last thing people wanted to listen to was upbeat music).
The song most enthusiasts cite as being their way into the genre is the song Plastic Love by Mariya Takeuchi: https://youtu.be/YoBwKfMluuo
Though for me it’s her husband Tatsuro Yamashita - referred to as the King of City Pop - who is the artist I find myself listening to the most, given his tracks feature more than any other across playlists and compilations: https://www.youtube.com/watch?v=4SfAdSzNHxs
It’s not just the funky upbeat tracks themselves that define the genre, but the animations and visuals that accompany the tracks on Youtube, pulling you through the screen and into the neon lit streets of Tokyo and Osaka, evoking nostalgia of a time where you never were.
The sensation is a strange one that’s hard to explain but in simple terms, but it feels like escaping to a different time, back to an idealistic 1980’s, which unsurprisingly is right up my street given my love for the cyberpunk genre and Blade Runner.
I actually realised the other day, that the Japanese City Pop playlist I’ve been building up over the years, was actually public! I thought it was private, until I noticed 60,000 viewers seem to have found it. It seems the whole world had access to my private stash of city pop!
But it's on here you’ll find amongst the best compilations on Youtube:
https://youtube.com/playlist?list=PLSOR9_iNzVflhOZwcM_mrHE0JX4gfmHUT
Here’s the thing though, as well as being nostalgic and pleasant to listen to I actually find I’m able to work better when listening to it!
Usually when I’m scripting, sitting at my desk or riding around trains, I’ll have it on in the background and I find I’m able to focus way better than when listening to English music. As well as being funky, upbeat chill out music, because it’s not sung in English, it’s far less invasive and doesn’t get in the way of my thoughts! Hopefully you’ll find the same.
But really half the fun of City Pop is just seeing what you can find on Youtube, as more and more creators create elaborate compilations, remixes and artwork to accompany the genre. City Pop may have died in the 90’s but it’s certainly back with a vengeance and I take pride in having had a small personal role in popularising it this last half decade through Abroad in Japan and numerous repostings across social media.
Check out the above playlist and read about it more on this fantastic article:
https://beardedgentlemenmusic.com/2017/08/23/japanese-city-pop-1980s/
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So this mock-up is a sneak peek of the main Abroad in Japan studio set that's currently being built by experienced carpenters and professional set designers somewhere in a warehouses near Tokyo!
I don't want to give too much away right now, but after 9 years of underwhelming backdrops, usually shot in the corner of my Japanese apartment, we're finally about to level up.
The set is designed by the 80's, Blade Runner, Cyberpunk and the movie Brazil and will hopefully be a gritty, brutal contrast to my upbeat, happy personality.
But I really wanted something built to professional grade, as I'm no craftsman when it comes to physical things and it was way out of my depth.
I might be about to shoot a drone shot and put some nice music over it, but building a living, breathing physical set with electronics and lighting would have been a disaster had I built it myself and stuck it together with PVA glue and hope.
It's the final piece of the puzzle though, as the studio itself is now more or less finished and next week I'll be shooting the first dedicated video inside, focussing on some wacky convenience store products.
It's been a long year on the road doing incredible things, but I'm looking forward to bringing Abroad in Japan back home indoors and striking up a better balance between indoor/scripted comedy content and the wackier more extreme travel content that we've enjoyed this year, full of horses, hotels and volcanoes.
A big thank you again for making this possible though guys! I look forward to surprising and amazing you all in a few weeks when it's finally finished and making you proud to be a part of Abroad in Japan!
As for me I'll be popping up again in the next few days like a cynical wack-a-mole to reveal an exciting upcoming project.
For now enjoy your Sunday and be sure to check out the City Pop music.
Chris
Annine
2022-02-04 23:05:56 +0000 UTCAnnine
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