Hey guys,
So it's been 3 or 4 days since the release of Natsuki: The Movie and the dust has finally settled.
As of Monday the film has received around 250,000 views, 33,000 likes and 5,300 comments. To put that in perspective, videos we upload (on average) typically receive 160,000 views, 10,000 likes and 1,000 comments in the same amount of time, so it's a pretty encouraging start!
But whilst figures are all well and great, above all, I've just really enjoyed the photos that have been flooding in from people around the world sitting down with friends and family to watch the film.
Given that I spend most of my time making videos quietly in the corner of a room, there’s a real disconnect for me, between the production of the videos I make and the audience who watches them. And yet since Thursday, I’ve witnessed photos of people holding parties, families gathered around televisions, and exhausted executives watching it from hotel rooms, with a whisky and a thumbs up.
It’s honestly one of the most exhilarating experiences I’ve had yet as a vlogger. It seems Natsuki: The Movie became more than just an hour long film about an eccentric Japanese guy - it became an event in its own right.
But how happy am I with it overall?
I’ll talk about it extensively in this week’s Patreon Q&A video but here are just a few thoughts on it all critically.
As a aspiring filmmaker and someone who watches two or three films a week, it’s important I take a step back and try to look at it objectively - so here’s a quick shot at it.
If I had one goal for this documentary (other than entertaining mayhem) it would be for viewers to walk away thinking a lot more carefully about what they want out of life and to avoid taking the easy route, as Natsuki himself admitted to doing during the film.
I think that's one of the things the movie pulled off relatively successfully - to embed that message within Natsuki’s story.
Judging by the many comments, viewers found the story uplifting as well; seeing Natsuki worn down, exhausted, and harbouring regrets, only to have his passion for music reignited, after his action packed once in a lifetime trip.
Seeing him perform on stage at the end was a great note to end it on.
- Although sadly, not many folks seemed to notice his bassist at the end was Tera san from the start of the film! They finally united!
In terms of things that weren’t good, the scenes in Europe were fairly rushed. It was seriously hard running around after Natsuki for a week, trying to film it in a compelling way, with some kind of narrative that made sense. I wish we’d filmed some more scenes of Natsuki commenting on his surroundings in London and Paris to emphasise how alien it all was for him, and to help explain why it all had such an impact on him.
Given our limited time in Europe there were no second chances though. If we didn’t frame the shot right, or capture the sound properly, there was no time to do it again.
It would have been great to film some additional shots of Natsuki travelling between places as well to capture the epic scale of his journey. But unfortunately, as we flew separately between Japan and the UK I wasn’t able to get any flight scenes.
The only flight we had planned - between London and Paris - was cancelled due to someone at British Airways accidentally tugging on the wrong cable (genuinely).
The picture quality was a bit of a mixed bag as well; we shot on four different cameras throughout the production and in my view, only one of them delivered sharp, tv level picture quality (the GH5 which I only bought at the end of last year). And some of the colour grading was off as a result.
Still, at the end of the day, overall I’m pretty satisfied with how it turned out. In my head, I'd give it a 7/10 - but above all, I’ve been delighted to find most viewers enjoyed it.
I learned so much along the way making it; in fact the mini tsunami documentary that came out in February - which was produced to a higher standard than the usual vlogs - was made with the knowledge and lessons I’d picked up from producing Natsuki: The Movie. Producing the film, I also had to learn how to create an engaging opening credit sequence and a music video, which were a lot of fun to make.
But what do you make of it all! Let me know your critical thoughts below - don’t hold back - if there were things you didn’t like I’m keen to hear what they were. Constructive criticism is always invaluable.
Natsuki released his song on iTunes over the weekend which you can download - with any money raised going directly to the man himself. You can buy a copy here:
► iTunes (sales go to Natsuki): https://goo.gl/JQf2pZ
But I’ve also attached a free download of the song to this post (below), as I feel all Patreon supporters deserve a copy for supporting Natsuki’s dreams in the first place!
(I’ve put the lyrics to the song at the end of this post as well, so you can get to know the song off by heart. I can now actually sing the whole thing from memory, so I’d nail it at karaoke).
AND FINALLY, if you haven’t sent in your questions about the movie for this week’s Patreon Q&A about the film, now’s your chance to do so! It’ll be out at the end of this week, so please do send me your questions and thoughts.
► Send me your questions here: https://goo.gl/forms/zJOIfXOYNChlR26N2
Cheers guys, I hope you've had a great start to the week so far!
Chris
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FULL LYRICS | Life is Balloons - Natsuki
Hello London I've been waiting,
I'm a Japanese man fleeing Japan,
Sid once said,
I'd rather die before I get old,
And I'd rather die too.
I paid a visit to Sid in London,
What's going on Sid's in New York?
I paid a visit to Sid in London,
What's going on?
Go fuck yourself.
I can't hear him anymore,
I can't see him anymore,
Dead and buried,
Around no more,
I'll be free one day too,
Like a balloon.
Hello Paris I've been waiting,
I'm a Japanese man fleeing Japan,
Art's for me and I've come looking,
For freedom - I'll find mine here.
I paid a visit to Mona in Paris,
What's going on?
Where is her smile?
I paid a visit to Mona in Paris,
What's going on?
Go fuck yourself.
I can't hear her anymore,
I can't see her anymore,
Dead and buried,
Around no more,
She is free,
Like balloons.
Hello London hello Paris,
I'm a Japanese man who fled Japan,
Living my life like balloons.
Free for the moment,
Changed in the moment,
Living in the moment,
Life is balloons!
Mike Mason
2018-06-15 22:54:12 +0000 UTCDan K.
2018-06-09 17:15:37 +0000 UTCDan K.
2018-06-09 17:15:17 +0000 UTCSophia Thompson
2018-06-05 06:55:27 +0000 UTCTiffJade
2018-06-05 04:21:28 +0000 UTCArgus9 (Jonathan)
2018-06-04 23:29:11 +0000 UTCSheepless
2018-06-04 18:33:56 +0000 UTCAbroad in Japan
2018-06-04 17:31:36 +0000 UTCJohn P Kowalchuk
2018-06-04 17:30:23 +0000 UTCAndrii Sudyn
2018-06-04 17:29:07 +0000 UTCbriandemodulated
2018-06-04 17:13:45 +0000 UTC