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baumgartnerrestoration
baumgartnerrestoration

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About Face - Epilogue

00:25 - Why didn’t you use the Zack Rack or humidity tent to make the canvas pliable to close the tear. 

03:00 - Explain what happened with the retouching timeline; the face and scarf… 

03:53 - Was the original painted during her life, were there lots of copies? 

05:10 - Do you ever use the UV light to see what you have already cleaned? 

05:54 - Why did the cleaning swabs look darker over the brown background as opposed to the face. 

07:10 - Is it harder to clean next to the tears? 

07:46 - When you retouched you started at the top and went to the bottom as opposed to sticking with one color before moving to the next color… Why? 

09:58 - Why do some paints require an isolation/saturation layer and others not? 

11:03 - Are you and other conservators known for certain types of work/projects? 

14:18 - How can you be so patient all the time? 

16:19 - Talk about how the lighting changes your retouching and how you deal with that. 

18:44 - Why couldn’t you use oil paint on this piece?

About Face - Epilogue

Comments

Those were great questions! I get the issues with consistency- but hey, we are so fortunate to have access to your process and your expertise.

We all make mistakes Julian, at least you're honest about it! Some good questions again, it's always really interesting to hear the theory behind the practical of each restoration in these videos and it's great you do this.


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