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Robin Hoffmann

Robin Hoffmann

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Robin Hoffmann posts

Why Jurassic Park's Music is So Powerful

Here's a nice viewing recommendation that puts specific focus on the economy of using themes in a long narrative story. Besides some in my opionion "overinterpretation" defintiely worth 15 minutes ...

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Poll of the Week: What Would You Consider Your Main Line of Work?

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The "Lucky Punch" Project

When I got into music university at the age of 20, I was already working on smaller scoring projects for a few years. Student films, amateur films, you name it. I didn't earn any money with those b...

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My New DAW

After working on my old DAW since mid 2013, I finally decided it was the time to get a new system. I have been planning for about two years now to get a new system but held off for a few reasons un...

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Poll of the Week: How Many Hours of Concentrated CREATIVE Work a Day Can You Do?

I have a quite specific personal theory for this one and I'm curious if there is some truth to it, so let us know how much time per day you can work creatively* before you run out of juice.

...

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Opening the Portal - Composition Screencast Part 4

Here's the next part of the Screencast for this piece. In this part, I'm fighting with the flutes at the beginning and push on with setting up the textures.

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Orchestra Player Hierarchy

A very common misconception among learning composers is the ignorance of player hierarchy in an orchestra. Especially with fixed ensembles and classical orchestras, this hierarachy is relatively st...

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Help me settle a debate...

Sorry, I've got one more poll for you, this time it is not part of the Poll of the Week series but outside of it and I will most likely not leave it up for long. I was having a debate with someone ...

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June 2021 - Wrap Up

We finally have a date to record the first Orchestra Discovery Session! On September 9th we will be recording a woodwi...

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Poll of the Week: For How Long Have You Been Composing Music?

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Reharmonisation Part 9: Modal Interchanges

Today, we're gonna talk about a harmonic approach that is probably the most "film music" sounding harmonic strategy and after we touched on it briefly in the last part of this series, let's have a ...

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Love Story and Lord of the Rings Arrangements

One of the things that I also sometimes do is arrange film scores into concert arrangements that then make it on the stages around the globe. In 2013 and 2014 I wrote two arrangements that were pla...

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Hero - Short Film Score - Walkthrough Pt.21 - M6 (Part 6)

In this last part, we will have a look at the final theme statement in the End Credits as well as discussing what I would do differently now 4 years after I originally wrote that score.

As us...

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Poll of the Week: Has Your Music Ever Been Played/Recorded by Real Musicians?

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Giving Up Control Over Your Music

As discussed on this Patreon many times before the current generation of media composers differs quite a bit from the generations of composers from just a few decades ago.

Quite a few of them...

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Orchestrating With a Vertical Focus

One of the things that can often be seen in music by learning composers/orchestrators is the limited scope of the execution of ideas throughout the orchestral colours. This might sound really crypt...

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Poll of the Week: Where do you create your music?

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John Williams to conduct the Berlin Philharmonic in October

Just as a little service post for everybody who's interested :)

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Opening the Portal - Stems/MIDI/Score

As promised, here are the audio stems for my latest piece OPENING THE PORTAL, separated by sections, as well as a MIDI file and the score sheet.

These should make dissecting the different tex...

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How the Sampling Industry Forgets the Pros

We live in a golden age of sampling. Practically every day, a developer releases a new package of samples that is targeted at media composers. There is hardly any instrument left on this planet tha...

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Poll of the Week: What is your Educational Background?

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The Overuse of Downbeats

One of the most common issues that can be observed with inexperienced composers/arrangers is the lack of variation in rhythmical ideas. Certain rhythmical gestures or accompanying patterns very oft...

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Composition Screencast - Returning Home - Part 10

In this final part of the composition walkthrough, we go step by step through the effect chains that I used on this piece.

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Poll of the Week: Is Music Your Main Job?

As announced yesterday, I'd like to get to know you a bit better which is why I will start a new Poll of the Week, sometimes with more serious questions, sometimes with more fun questions. Let's st...

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May 2021 - Wrap Up

Several big changes are coming!

Over the last couple of weeks and months, a few of you approached me, telling me that they are "drowning in the content" that I put up here. Obviously the rate...

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The Recording Room as an Instrument

One of my personal pet peeves are "Orchestra open airs". As much as the atmosphere of enjoying an orchestra outdoors on a warm summer night is desirable (even more so after the last year), the acou...

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Reharmonisation Part 8: Avoiding Standard Cadences 2

In the last part we were discussing how to avoid standard cadences by not using the structural pillars...

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Opening the Portal - Composition Screencast Part 3

This is the first part where I really start to work at the piece and don't talk all the time. I edited it in a way where all the things that I do are documented including the moments where I go bac...

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"Modern" Orchestra Line-Ups

If you compare orchestral scores from today with the ones from a few decades ago, you will very quickly notice that at least in the big budget productions we see an excessive growth of orchestra si...

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Opening the Portal - Score Sheet

Finally, here's the score sheet for my piece OPENING THE PORTAL, which I have been working on over the last couple of weeks and have been documenting the entire process in an ongoing series of comp...

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