03:18 - Were there any reference photos of the painting and do you ever use photos?
06:26 - Wait Julian, this paper is almost what?!?! What was that cliffhanger?
07:16 - How do you clean or treat your equipment and materials to prevent mold contamination across projects?
08:37 - Explain how the kozo isn't permanently bonded to the raw canvas with the adhesive impregnation process.
11:24 - Were there tiny bits pf paint behind the canvas that were lost?
12:40 - How do you size the keys?
13:17 - Do you often use your hand and fingers during retouching, could you, would you?
15:22 - Is it possible to create impasto with the retouching paints?
17:00 - Explain your reasoning for the way you did/didn’t retouch the signature
19:35 - How do artists feel about conservation?
25:18 - Can you talk about climate change and the real danger it poses to artworks in the future?