quaraci

[Extra] Kyraci Train

Hello there, fellow futa lovers!

I didn't expect to be away for this long! It's been over two weeks since I posted our first illustration pack. It feels like forever. I finally moved (yaaaaaaay!), and putting an entire home into boxes and then out of them in the following days takes effort, patience, and time. My modest home studio is fully operational again, so I'll keep brewing and baking new ideas at the new home. Wish me luck! =^____^=

For this month's extra painting, a unique project I had the pleasure to work on many months ago: a commission painting I made following Kyropracter's superb art direction. We're back in the Kyraci universe, and the train's crew members are pampering Livia and Sheree as they travel across the country to an extraordinary destination. Where are they heading? We'll find that out soon. #exciting!

Thank you so much, Kyro, for the ideas, inputs, concepts, and reference images. Also, thank you for kindly sharing your vision with the world. =^___^=

Thank you all so much for the love and support!

Cheers!

Q.

p.s.: this is an extra painting, an early access submission. I'll post it on my social media in the future. Since this was a commission painting, I won't publish its RIF file.

[Extra] Kyraci Train [HQ]

Hello there, fellow futa lovers!

I didn't expect to be away for this long! It's been over two weeks since I posted our first illustration pack. It feels like forever. I finally moved (yaaaaaaay!), and putting an entire home into boxes and then out of them in the following days takes effort, patience, and time. My modest home studio is fully operational again, so I'll keep brewing and baking new ideas at the new home. Wish me luck! =^____^=

For this month's extra painting, a unique project I had the pleasure to work on many months ago: a commission painting I made following Kyropracter's superb art direction. We're back in the Kyraci universe, and the train's crew members are pampering Livia and Sheree as they travel across the country to an extraordinary destination. Where are they heading? We'll find that out soon. #exciting!

Thank you so much, Kyro, for the ideas, inputs, concepts, and reference images. Also, thank you for kindly sharing your vision with the world. =^___^=

Thank you all so much for the love and support!

Cheers!

Q.

p.s.: this is an extra painting, an early access submission. I'll post it on my social media in the future. Since this was a commission painting, I won't publish its RIF file.

ip001-Kindness

Hello there, fellow futa lovers!

First of all: happy new year! May your dreams and plans come to fruition in 2023.

We're here: the beginning of our sixth year together. Hooray! Hooray! Hooray! It's also the month of our first illustration pack!

As many of you might've already noticed, I've also renovated our gallery: tiers, benefits, welcome message, color palette, banner, and so on. I don't know; it feels cozier to me now. It feels like home. =^____^=

I want to bring some fantasy to the gallery this month: wings, horns, and other fantastical attributes. Ever since our Jungle Party, I have had a set of images of these variably feral anthro futas walking the streets and living their lives. They're not OCs per se (I didn't give them names, nor do I intend to), but they tell us their own ecstatic visual stories.

Since some of you have asked me questions about how the benefits will be delivered in the age of illustration packs these last couple of weeks, I think it's a good idea to revisit some of the new gallery rules that will apply from now on:

[1] The current month's main illustration will be posted, in standard definition, as a single post to all tiers (in our case, this post that you're reading);

[2] The other benefits associated with it - Carmine or Cyan packs - will be sent (usually a couple of minutes before or after their respective Patreon post) through DM to the respective tier members who completed the last billing cycle (in our case, to all who successfully crossed the December/2022 ~ January/2023 billing cycle). 

[3] The link you'll receive will stop working after a month, so make your backup copies, OK? With great power comes great responsibility. :)

[4] Patrons who joined after a main illustration's billing cycle will only be eligible to receive their first illustration pack after completing their first billing cycle (in our case, after successfully crossing the January/2023 ~ February/2023 billing cycle).

[5] If - for any reason - you missed a past illustration pack that you'd like to have, I'll keep them all available at our Gumroad store. 

[6] When in doubt, don't hesitate to ask me! =^___^=

Thank you all so much for the love and support!

Q.

ip000-All I want for Xmas

Hello there, fellow futa lovers!

For this year's holidays, I revisited last year's illustration and decided to give it a spin. What if Leto fell inside Santa's magic bag of gifts? What if there's a parallel reality inside it, just waiting for her to dive inside? The rest was composition, lines, and contrast (an upper, more compact, dark world versus a lower, brighter, dream realm), oblique shapes writing a story (her body, lollipop, gifts, clothes, and jizz creating a neat diagonal wave descending from left to right), and so on. This image also tells us a bit about what we can expect from 2023: new ideas, fantastic creatures, parallel realities, and so on.

This bonus holiday painting is our first attempt at delivering an illustration pack. Yep! The first illustration pack is here, and all of you (yeah, all of you! All tiers, everyone!) will receive the Cyan Pack version. It's a swell Xmas gift! I call it ip000 (e.g., Illustration Pack 000) because the first regular, official one, ip001, will be delivered in January 2023!

Wait, Q, what's going on? I missed your previous mentions about the changes in our gallery beginning next month. Fear not, friend. I created a short FAQ to introduce the changes we'll see in 2023. It's the "About" tab of our gallery now. It's as concise and clear as I could write it, but, more importantly, it'll bring you more value and joy. =ˆ___ˆ=

Shortly after I post this image, I'll send the illustration pack link to each of you through a Patreon DM. Please tell me if you spot any weird behavior. The link will be available for one month, and then it wonˋt work anymore (there's only so much storage space!), so be sure to make your copies, OK?

I'd like to wish you all a happy end of 2022. May your daily lives live peacefully alongside those of your dreams, desires, and deepest aspirations.

Cheers!

Q.

p.s.: this is an extra painting, an early access submission. I'll post it on my social media in the future.

About tiers and benefits in 2023

Hello there, fellow futa lovers!

As of January 2023, I simplified the subscription flavors to three tiers ($1, $3, and $5), with the two top ones eligible to receive an Illustration pack. You can choose the tier that will bring you the most joy.

What's inside an illustration pack, and how can I get it?

Except for the standard-resolution images in this gallery's posts (accessible from the $1 tier), all additional benefits will be delivered through illustration packs.

First, there's the content-related pack, or Carmine Pack ($3 tier), which includes all the final illustrations and their variations in their higher-quality formats. Then, there's the process-related, behind-the-scenes pack, or Cyan Pack ($5 tier). It contains all the final illustrations and variations in higher-quality formats, sketches, process illustrations, time-lapse video(s), and original KRA file(s). It also includes any other file related to the creation process (when/if applicable), such as BLEND files, reference images, custom Krita brushes, etc.

You'll receive a Patreon DM with a link to the illustration pack you chose after you complete each billing cycle. For instance, if you join this month, your first illustration pack will be delivered by the beginning of the following month, after the next billing cycle. Each link will be active for one month, so make your backup copy!

What if I want one illustration pack that's been long posted?

In this case, I've set up a small store at Gumroad for that intent (I'll add the illustration packs gradually as they're completed).

* * *

These changes add more value to the tiers, simplify things, and hopefully make everyone happier. I'm creating a FAQ-like text (of which this is a considerable part), and soon it'll be our gallery's welcome message. Thank you all so much for the love and support! =^____^=

Cheers!

Q.

Subway ride

Shola was long gone when Leto took the subway and headed home. She still felt her legs trembling from Kathleen's party.

"I didn't even get the chance to be with her," Leto whispered to herself. Kathleen was different now, with all the tattoos and the tomboy look she never had in her school years. Leto smiled. Her tail was in her backpack, but she wore her wolf ears under the hoodie.

On the other side of the station, she saw Epona standing in a dark area, typing on her phone. She was alone at first, but then someone approached her. Who were those? As they came out of the dark passageway, Leto could see them. It was Iris, followed by a blond woman she didn't know. No, wait! Was that Sofia? 

They were laughing. Sofia would look at both sides of the station regularly. No one else was around except for newspapers dancing in the wind. Leto covered her head and face with her hood and leaned to one side, pretending to be asleep. Epona was sitting on one of the chairs when Iris mounted her. She wore a black skirt, but after the girl pressed against Epona's hip, Leto could see her mare pussy winking. Fascinated, Sofia sat on the floor by Epona's feet, kissing and licking Iris's equine lips and the stallion shaft that quickly fled from Epona's underwear.

It was Epona's turn to check the station regularly. Now it was she who was pressing against the wetness of Iris. She could feel her winking pussy on her shaft. Her breath was paced, and she moaned as her friend slid up and down.

Two empty trains arrived and left the station, which should not happen that early in the night. Twice the trio stopped what they were doing, clumsily trying to act normal, but they were awful at that. That's when Leto heard footsteps coming from her left side. And a distant whistle, accompanied by the sound of keys. And what was that smell? An intriguing male perfume and the evident aftertaste of liquor.

"They're in trouble. Think fast, Leto..." she whispered as she ran to the corridor to her left after the third empty train left the station. Soon she'd feel her body bump against a firm, broad chest. It was a man in uniform. "Oh, hey there, officer! Uh..." Think fast, think fast, think fast! "Can you help me find a handbag that I lost? I think I left it on the train!"

"Excuse me, miss. There was a call about some disturbance in this area. I need to..."

"Oh, it must have been me. I felt so frustrated I yelled in front of everyone. I'm a disaster today." All Leto could think at the moment was along the lines of damn it, Epona, the things I still do for you! Up to that moment, she hadn't realized she had done that for love.

Speaking of feelings, it must be declared that the officer in front of her was gorgeous. His messy hair and the punishable scent of cheap tequila on duty made him look alluring. Leto's only disaster that day, flirting with a stranger right after attending a jungle-themed orgy, was being a disaster bi. The man stepped forward, but she gently intercepted him. The tips of her fingers rested on his chest, where his name was written. Martins. Her other hand was below his abdomen. He could feel her nails gently scratching his pants. "I'm doing this for you, Epona, not for me. Definitely not for me," she whispered to herself, but he heard that last utterance.

"Not for... Is this really happening?" He asked, but her index finger touched his lips. Her bright, yellow eyes hypnotized him. They kissed.

"It's late. We won't tell anyone about this. You won't tell. I won't tell." Her hand now held his hard dick inside his pants. They kissed again. He lifted her, and his leg hit one of the station's garbage cans.

There were restrooms on that corridor. Dazed, officer Martins pointed at them and asked, "which one? Mine or yours?"

Leto grinned. "What a silly question, officer. What a silly question."

* * *

Hello there, fellow futa lovers!

It's December! The year is almost over, guys, and the universe keeps getting more chaotic as entropy does its thing! We're completing five years together this month! I don't know about you, but I was insecure and uncertain about this project when it started. Nowadays, it's one of my main constants in life. This ongoing process spans from learning new skills to keeping everything tidy and organized. What can you say in your own defense, universe? Huh? Huh? =)

I'm so grateful for everything that we've accomplished together. This project, alongside the commission work, allowed me to stay close to my family and loved ones in moments of joy and sorrow, learning and working while doing one of my favorite things: drawing and painting. It's impossible to put a price tag on that. I've also come to talk to many of you regularly, and life only gets better like this. Thank you. Thank you so much.

Today I'd like to bring you guys another mix of 3D and 2D elements. After the initial sketch, I modeled the station with Blender, and the rest followed its course in Krita. Since I'm not painting hyperrealistic figures, the station needs to follow the characters somehow, so I went for a simplified version of the 3D elements. Then I added the kind of noise and imperfection that comes from using digital brushes on top of that. I think it brings life and cohesiveness to the image.

Happy holidays, take care, and enjoy! =^____^=

Cheers!

Q.

Subway ride [HQ]

Shola was long gone when Leto took the subway and headed home. She still felt her legs trembling from Kathleen's party.

"I didn't even get the chance to be with her," Leto whispered to herself. Kathleen was different now, with all the tattoos and the tomboy look she never had in her school years. Leto smiled. Her tail was in her backpack, but she wore her wolf ears under the hoodie.

On the other side of the station, she saw Epona standing in a dark area, typing on her phone. She was alone at first, but then someone approached her. Who were those? As they came out of the dark passageway, Leto could see them. It was Iris, followed by a blond woman she didn't know. No, wait! Was that Sofia?

They were laughing. Sofia would look at both sides of the station regularly. No one else was around except for newspapers dancing in the wind. Leto covered her head and face with her hood and leaned to one side, pretending to be asleep. Epona was sitting on one of the chairs when Iris mounted her. She wore a black skirt, but after the girl pressed against Epona's hip, Leto could see her mare pussy winking. Fascinated, Sofia sat on the floor by Epona's feet, kissing and licking Iris's equine lips and the stallion shaft that quickly fled from Epona's underwear.

It was Epona's turn to check the station regularly. Now it was she who was pressing against the wetness of Iris. She could feel her winking pussy on her shaft. Her breath was paced, and she moaned as her friend slid up and down.

Two empty trains arrived and left the station, which should not happen that early in the night. Twice the trio stopped what they were doing, clumsily trying to act normal, but they were awful at that. That's when Leto heard footsteps coming from her left side. And a distant whistle, accompanied by the sound of keys. And what was that smell? An intriguing male perfume and the evident aftertaste of liquor.

"They're in trouble. Think fast, Leto..." she whispered as she ran to the corridor to her left after the third empty train left the station. Soon she'd feel her body bump against a firm, broad chest. It was a man in uniform. "Oh, hey there, officer! Uh..." Think fast, think fast, think fast! "Can you help me find a handbag that I lost? I think I left it on the train!"

"Excuse me, miss. There was a call about some disturbance in this area. I need to..."

"Oh, it must have been me. I felt so frustrated I yelled in front of everyone. I'm a disaster today." All Leto could think at the moment was along the lines of damn it, Epona, the things I still do for you! Up to that moment, she hadn't realized she had done that for love.

Speaking of feelings, it must be declared that the officer in front of her was gorgeous. His messy hair and the punishable scent of cheap tequila on duty made him look alluring. Leto's only disaster that day, flirting with a stranger right after attending a jungle-themed orgy, was being a disaster bi. The man stepped forward, but she gently intercepted him. The tips of her fingers rested on his chest, where his name was written. Martins. Her other hand was below his abdomen. He could feel her nails gently scratching his pants. "I'm doing this for you, Epona, not for me. Definitely not for me," she whispered to herself, but he heard that last utterance.

"Not for... Is this really happening?" He asked, but her index finger touched his lips. Her bright, yellow eyes hypnotized him. They kissed.

"It's late. We won't tell anyone about this. You won't tell. I won't tell." Her hand now held his hard dick inside his pants. They kissed again. He lifted her, and his leg hit one of the station's garbage cans.

There were restrooms on that corridor. Dazed, officer Martins pointed at them and asked, "which one? Mine or yours?"

Leto grinned. "What a silly question, officer. What a silly question."

* * *

Hello there, fellow futa lovers!

It's December! The year is almost over, guys, and the universe keeps getting more chaotic as entropy does its thing! We're completing five years together this month! I don't know about you, but I was insecure and uncertain about this project when it started. Nowadays, it's one of my main constants in life. This ongoing process spans from learning new skills to keeping everything tidy and organized. What can you say in your own defense, universe? Huh? Huh? =)

I'm so grateful for everything that we've accomplished together. This project, alongside the commission work, allowed me to stay close to my family and loved ones in moments of joy and sorrow, learning and working while doing one of my favorite things: drawing and painting. It's impossible to put a price tag on that. I've also come to talk to many of you regularly, and life only gets better like this. Thank you. Thank you so much.

Today I'd like to bring you guys another mix of 3D and 2D elements. After the initial sketch, I modeled the station with Blender, and the rest followed its course in Krita. Since I'm not painting hyperrealistic figures, the station needs to follow the characters somehow, so I went for a simplified version of the 3D elements. Then I added the kind of noise and imperfection that comes from using digital brushes on top of that. I think it brings life and cohesiveness to the image.

Happy holidays, take care, and enjoy! =^____^=

Cheers!

Q.

[Extra] Riding you

Hello there, fellow futa lovers!

Here's another study of Epona that I thought you might like to see. It follows some of the other studies' footsteps. It aims at creating an impression and unit when seen from a distance, whereas it tends to fall apart into abstraction as we zoom in. Epona's horsey parts draw so much attention that she seldom has the chance to have fun with her lady parts.

Thank you all for the love and support! Enjoy!

Q.

p.s.: this is an extra painting, an early access submission. I'll post it on my social media in the future.

[Extra] Riding you [HQ]

Hello there, fellow futa lovers!

Here's another study of Epona that I thought you might like to see. It follows some of the other studies' footsteps. It aims at creating an impression and unit when seen from a distance, whereas it tends to fall apart into abstraction as we zoom in. Epona's horsey parts draw so much attention that she seldom has the chance to have fun with her lady parts.

Thank you all for the love and support! Enjoy!

Q.

p.s.: this is an extra painting, an early access submission. I'll post it on my social media in the future.

[Extra] Riding you [RIF]

Hello there, fellow futa lovers!

Here's another study of Epona that I thought you might like to see. It follows some of the other studies' footsteps. It aims at creating an impression and unit when seen from a distance, whereas it tends to fall apart into abstraction as we zoom in. Epona's horsey parts draw so much attention that she seldom has the chance to have fun with her lady parts.

Thank you all for the love and support! Enjoy!

Q.

p.s.: this is an extra painting, an early access submission. I'll post it on my social media in the future.

[Extra] Riding the wave

Hello there, fellow futa lovers!

Moving from drawing to painting can be tricky, especially when our impatient eyes and minds demand that we add details before we have a good enough impression. I make this mistake all the time. Big shapes are what matters, though. Large masses of light and shadow. That's what makes a promising painting.

This illustration of Shola is the flipside of The way it rubs, now with Shola reciprocating Leto's concern for her pleasure and well-being. It was supposed to be a rough sketch, a monochromatic study, but after the values created the impression I was looking for, adding colors, textures, and details followed with minimal effort. I usually spend an average of ten to twenty hours on each painting until I consider it finished. This one took around four and a half hours, and 90% of that time was dealing with values only, a soothing monochromatic study.

I also decided to keep most of the original silhouette from the first drawing to stress how the drawing and painting stages can sometimes be flattering to one another. That's the experimental bit of today's post. =^___^=

I hope you like it!

Cheers, you all!

Q.

p.s.: this is an extra painting, an early access submission. I'll post it on my social media in the future.

[Extra] Riding the wave [HQ]

Hello there, fellow futa lovers!

Moving from drawing to painting can be tricky, especially when our impatient eyes and minds demand that we add details before we have a good enough impression. I make this mistake all the time. Big shapes are what matters, though. Large masses of light and shadow. That's what makes a promising painting.

This illustration of Shola is the flipside of The way it rubs, now with Shola reciprocating Leto's concern for her pleasure and well-being. It was supposed to be a rough sketch, a monochromatic study, but after the values created the impression I was looking for, adding colors, textures, and details followed with minimal effort. I usually spend an average of ten to twenty hours on each painting until I consider it finished. This one took around four and a half hours, and 90% of that time was dealing with values only, a soothing monochromatic study.

I also decided to keep most of the original silhouette from the first drawing to stress how the drawing and painting stages can sometimes be flattering to one another. That's the experimental bit of today's post. =^___^=

I hope you like it!

Cheers, you all!

Q.

p.s.: this is an extra painting, an early access submission. I'll post it on my social media in the future.

An extra session

When the doorbell rang a few minutes before the tattoo shop closed, Kathleen wasn't expecting a new client. She asked the gorgeous woman wearing a dropped-waist skirt by the door if she could help.

"I'd like to have one of those drawings on my skin."

That was odd.

"So, you want to get a tattoo... Nice to meet you. I'm Kathleen, and I'll be your tattoo artist today. What's your name?

"I love the tattoo drawings on your skin. My name is Karlie."

It would still be odd if the new client had a foreign accent, but that wasn't the case. Karlie's eyes were all over the place. A tidied, clean tattoo shop in Leme, a couple of blocks away from Copacabana. Kathleen had a smile on her face every time she looked at the woman in front of her. She tried to avoid it, but it was no use.

"Nice to meet you, Karlie. What do you have in mind for your new tattoo?"

"I want one of those..." she said, waving her fingers on her arm. Kathleen helped her, and she continued, "yes, a sleeve. One that reminds me of home, like waves. I love waves."

"Oh, I see... I like tattoos better when they, you know, tell us about our brief history on this crazy planet. Cool. I'm going to book you for, for, for... Here, you're in luck. Our first session can be on Wednesday morning at eight."

"Eight? I love eight..." Such a strange sentence, but not as odd as what the tattoo artist saw a moment afterward: a subtle yet undeniable movement beneath her client's dropped-waist skirt. On the front. On the sides. All around her. Like waves. "I was hoping we could start today, Kathleen... But Wednesday is fine."

"We need to take some steps until we start inking. It's not good to rush things. However, I can show you some designs today before we close. I want us to be on the same page..." Kathleen said, turning around to fetch a thick binder stuffed with photos and drawings. Beautiful drawings. Her drawings.

Kathleen's fingers turned the pages quickly. So did Karlie's short octopod arms move around her as she approached the tattoo artist, freeing themselves from the skirt, then reaching for Kathleen's worn jeans. Being on the same page wasn't enough for her. Karlie took a step back, a small feat to most people but a rare display of discipline for her. She didn't want anyone to get hurt or probably scarred for life because of her. Not again.

From the outside, no one could see the spiritual battle that was going on, nor the flirtation. They could only see the tattoo shop's name, "Kitty Katt," written with big, curvy lines. Bold, flamboyant lines, like tentacles.

* * *

Hello there, fellow futa lovers!

November is here! I can't believe we'll soon complete five years of spicy monthly illustrations! As most of you already know (and have been expressing your points of view through messages and polls), I plan to improve how this gallery works. A minor part of those ideas come from reading and watching what Patreon says to content creators, which is super helpful. The majority of thoughts and views, however, come from hearing you. Hopefully, structural changes will make our page more straightforward to navigate for all on it and easier to grasp for those considering joining as members. I plan to effect those changes in January 2023.

November will also be a month for some experimentation. Today's illustration features a blend of 3D and 2D techniques, and those 3D files could soon be inside one of our art packs. Why not? This month, we'll have extra paintings as well, of course! One explores the effect of bold, visible lines on an otherwise realistic image (something I've mentioned before). The other one is a quick monochromatic study. 

Well, I hope you enjoy this month! Thank you all so much for the love and support! Keep being those beautiful creatures that you are. =^_________^=

Cheers!

Q.

An extra session [HQ]

When the doorbell rang a few minutes before the tattoo shop closed, Kathleen wasn't expecting a new client. She asked the gorgeous woman wearing a dropped-waist skirt by the door if she could help.

"I'd like to have one of those drawings on my skin."

That was odd.

"So, you want to get a tattoo... Nice to meet you. I'm Kathleen, and I'll be your tattoo artist today. What's your name?

"I love the tattoo drawings on your skin. My name is Karlie."

It would still be odd if the new client had a foreign accent, but that wasn't the case. Karlie's eyes were all over the place. A tidied, clean tattoo shop in Leme, a couple of blocks away from Copacabana. Kathleen had a smile on her face every time she looked at the woman in front of her. She tried to avoid it, but it was no use.

"Nice to meet you, Karlie. What do you have in mind for your new tattoo?"

"I want one of those..." she said, waving her fingers on her arm. Kathleen helped her, and she continued, "yes, a sleeve. One that reminds me of home, like waves. I love waves."

"Oh, I see... I like tattoos better when they, you know, tell us about our brief history on this crazy planet. Cool. I'm going to book you for, for, for... Here, you're in luck. Our first session can be on Wednesday morning at eight."

"Eight? I love eight..." Such a strange sentence, but not as odd as what the tattoo artist saw a moment afterward: a subtle yet undeniable movement beneath her client's dropped-waist skirt. On the front. On the sides. All around her. Like waves. "I was hoping we could start today, Kathleen... But Wednesday is fine."

"We need to take some steps until we start inking. It's not good to rush things. However, I can show you some designs today before we close. I want us to be on the same page..." Kathleen said, turning around to fetch a thick binder stuffed with photos and drawings. Beautiful drawings. Her drawings.

Kathleen's fingers turned the pages quickly. So did Karlie's short octopod arms move around her as she approached the tattoo artist, freeing themselves from the skirt, then reaching for Kathleen's worn jeans. Being on the same page wasn't enough for her. Karlie took a step back, a small feat to most people but a rare display of discipline for her. She didn't want anyone to get hurt or probably scarred for life because of her. Not again.

From the outside, no one could see the spiritual battle that was going on, nor the flirtation. They could only see the tattoo shop's name, "Kitty Katt," written with big, curvy lines. Bold, flamboyant lines, like tentacles.

* * *

Hello there, fellow futa lovers!

November is here! I can't believe we'll soon complete five years of spicy monthly illustrations! As most of you already know (and have been expressing your points of view through messages and polls), I plan to improve how this gallery works. A minor part of those ideas come from reading and watching what Patreon says to content creators, which is super helpful. The majority of thoughts and views, however, come from hearing you. Hopefully, structural changes will make our page more straightforward to navigate for all on it and easier to grasp for those considering joining as members. I plan to effect those changes in January 2023.

November will also be a month for some experimentation. Today's illustration features a blend of 3D and 2D techniques, and those 3D files could soon be inside one of our art packs. Why not? This month, we'll have extra paintings as well, of course! One explores the effect of bold, visible lines on an otherwise realistic image (something I've mentioned before). The other one is a quick monochromatic study.

Well, I hope you enjoy this month! Thank you all so much for the love and support! Keep being those beautiful creatures that you are. =^_________^=

Cheers!

Q.

Structure and content #2

Hello there, fellow futa lovers!

There's something else that I'd like to share with you and hear from you regarding structure and content. In January 2023, this Patreon gallery will reach its fifth anniversary, and I plan to implement some changes based on months and months of feedback from current and former patrons. Hopefully, these changes will allow us to bring more content while improving the ease of access to rewards and all the yummy, juicy goods from the farm. =^___^=

Following the "structure and content" series, this month's poll will be different. We usually vote on content (e.g., themes, characters, kinks), but we'll vote on structure today (e.g., how rewards are delivered, tiers, etc.)

What is today's topic? Human, Futanari, Dolphin, Dog, Horse... Tiers. We used to have five of them, then four, but there's room for improvement. I've been considering simplifying our tier system. Some pages from artists that I've been studying go so far as to offer a single, unified tier. As appealing as this solution may be (from a creator's standpoint), that's not exactly what I have in mind. I want to simplify, add value, be inclusive, and reshape tiers based on how deep each of you would like to go into the creative process rabbit hole behind what I do.

Why do I like it? When I started this Patreon page, tiers were tightly related to their respective set of rewards. Hence, one for voting powers, another for high-resolution images, and so on, but that cumulative, progressive path of benefits doesn't always make sense. Karissa may want to show her appreciation by helping me turn a warm cup of latte into lines, shapes, and colors, but she's not after art packs or polls. Thomasin may wish to take a step further and seeks firsthand access to high-resolution finished pieces. In contrast, Kathleen, who loves drawing, may want to dig deeper into my creative process because what I do may positively influence how she does her art. Latte. Content. Process. This seems to make sense to me.

How would it work?

• First, I'd unpublish the Dog ($10) tiers, leaving us with just three options, Human ($1), Futanari ($3), and Dolphin ($5). Unpublished tiers don't vanish. New patrons can't join them, but they stay the same until existing patrons are in it.
• The current and future members of the Human ($1) tier would have unaffected benefits. This tier won't receive monthly art packs nor vote on polls, but they'll see the cake coming out of the oven, and I'll be forever grateful for their desire to be a part of this. This would be the warm, yummy "Latte" level.
• The current and future members of the Futanari ($3) pledge will retain voting, Discord, and early-access benefits. They will also get an art pack with all the high-res images, which adds value to this pledge. This would be the neat "Content" level.
• The current and future members of the Dolphin ($5) pledge would get a fuller art pack while retaining voting, Discord, and early-access benefits. This art pack would contain high-res images, process images, sketches, a short (5-minute-ish) timelapse video, and multi-layered file(s). If applicable, it would include any extra content not listed before, such as 3D files created or variations. This would be the robust "Process" level.
• Although unpublished, the Dog ($10) tier would get all the benefits from the reshaped Dolphin ($5) pledge until all its patrons eventually migrate to one of the available tiers. Once the change happens, I strongly suggest they migrate since their benefits will be the same as the "Process" tier.

Again, although I did a fair share of research to bring these ideas to the table, none is written in stone. My primary purpose was to simplify the tier system by reducing it to three tiers: a tip jar to the first, finished illustrations to the second, and finished illustrations plus process-related material to the third. Making pledges get more value than before was at the top of my list. I hope this slight price/reward ratio adjustment also brings new patrons. =^___^= I plan to apply the changes we've discussed by January 2023. Fingers crossed!

About the restructuring of the tier system, I feel...

[Extra] Vixen-o-ween

Hello there, foxy futa lovers!

All Hallows' Eve is near, friends! But what is it be called if it's a girl-only party, and all the girls have fluffy fox tails and beautiful fox ears? You got it right: it's Vixen-o-ween! Today we celebrate foxes from around the world (from left to right): Bat-eared, Red, Kit, Fennec, Arctic, and Gray! I can't even picture how messy this canvas will be in an hour or so! =^___^=

This was a commission illustration envisioned by Kyropracter. Thank you so much, K, for raising the fox fantasy bar to never-before-seen heights and sharing it with us all! I understand a world where exciting, consensual, anthro, futanari bukkake parties exist during Halloween is a better place.

Enjoy the treats!

Q.

p.s.: this is an extra painting, an early access submission. I'll post it on my social media in the future. Since this was a commission painting, I won't publish its KRA file.

[Extra] Vixen-o-ween [HQ]

Hello there, foxy futa lovers!

All Hallows' Eve is near, friends! But what is it be called if it's a girl-only party, and all the girls have fluffy fox tails and beautiful fox ears? You got it right: it's Vixen-o-ween! Today we celebrate foxes from around the world (from left to right): Bat-eared, Red, Kit, Fennec, Arctic, and Gray! I can't even picture how messy this canvas will be in an hour or so! =^___^=

This was a commission illustration envisioned by Kyropracter. Thank you so much, K, for raising the fox fantasy bar to never-before-seen heights and sharing it with us all! I understand a world where exciting, consensual, anthro, futanari bukkake parties exist during Halloween is a better place.

Enjoy the treats!

Q.

p.s.: this is an extra painting, an early access submission. I'll post it on my social media in the future. Since this was a commission painting, I won't publish its KRA file.

The way it slides

Hello there, fellow futa lovers!

I started “The way it slides” four days after I finished “The way it rubs.” They’re not a series, and they’re not in the same timeline as our Roll the Dice polls. Nevertheless, they’re part of the same experiment: I wanted to verify if/how my workflow would be impacted by recording my screen with OBS Studio while I paint. I also wanted to check if the software used for painting would make any difference, so “The way it rubs” was done in Krita, whereas “The way it slides” was done in Corel Painter. I didn’t get any significant difference in performance, although different tools usually yield different results, aesthetically speaking. Painting in Krita feels like Photoshop (i.e., it’s a great editing tool). In contrast, Corel Painter is unique in its brush engines, its closest apps being Artrage and Rebelle.

A few words on timelapse creation: Krita has a sleek built-in recording system. However, I found it a bit buggy, so I stopped using it after a few testing sessions. Corel Painter doesn’t have such a tool, so I turned to OBS Studio as a robust solution. It records anything, anywhere, and it’s also useful for streaming, so working with it has been great. I used KDEnlive to concatenate the videos from each painting session and speed them up. I also used it to make those basic edits from the video’s first and last couple of seconds, where the final image and watermark fade in and out. Overall, editing the footage requires less time than the actual rendering time, but that’s OK since the PC is doing its magic while I make a sandwich.

Besides these two illustrations, I haven’t been recording much of my painting, but it should become more frequent in the following months. I’ll soon edit our next milestone here at Patreon. Then, once we reach it, I’ll add the timelapse as an official benefit for those who like to get a glimpse of how I work. Uploading normal-paced footage, as of today, would be very difficult to implement since larger video files require a lot of storage space. It’s too early/risky for me to get a premium Vimeo account or any other solution that’ll allow me to work with such files. =^___^= There’s also a learning curve for video editing, one that I’m willing to climb to bring better content to you guys. I hope you like it!

Thank you all so much for the love and support! Enjoy!

Q.

The way it slides [HQ]

Hello there, fellow futa lovers!

I started “The way it slides” four days after I finished “The way it rubs.” They’re not a series, and they’re not in the same timeline as our Roll the Dice polls. Nevertheless, they’re part of the same experiment: I wanted to verify if/how my workflow would be impacted by recording my screen with OBS Studio while I paint. I also wanted to check if the software used for painting would make any difference, so “The way it rubs” was done in Krita, whereas “The way it slides” was done in Corel Painter. I didn’t get any significant difference in performance, although different tools usually yield different results, aesthetically speaking. Painting in Krita feels like Photoshop (i.e., it’s a great editing tool). In contrast, Corel Painter is unique in its brush engines, its closest apps being Artrage and Rebelle.

A few words on timelapse creation: Krita has a sleek built-in recording system. However, I found it a bit buggy, so I stopped using it after a few testing sessions. Corel Painter doesn’t have such a tool, so I turned to OBS Studio as a robust solution. It records anything, anywhere, and it’s also useful for streaming, so working with it has been great. I used KDEnlive to concatenate the videos from each painting session and speed them up. I also used it to make those basic edits from the video’s first and last couple of seconds, where the final image and watermark fade in and out. Overall, editing the footage requires less time than the actual rendering time, but that’s OK since the PC is doing its magic while I make a sandwich.

Besides these two illustrations, I haven’t been recording much of my painting, but it should become more frequent in the following months. I’ll soon edit our next milestone here at Patreon. Then, once we reach it, I’ll add the timelapse as an official benefit for those who like to get a glimpse of how I work. Uploading normal-paced footage, as of today, would be very difficult to implement since larger video files require a lot of storage space. It’s too early/risky for me to get a premium Vimeo account or any other solution that’ll allow me to work with such files. =^___^= There’s also a learning curve for video editing, one that I’m willing to climb to bring better content to you guys. I hope you like it!

Thank you all so much for the love and support! Enjoy!

Q.

Structure and content #1

Hello there, fellow futa lovers!

In January 2023, this Patreon gallery will reach its fifth anniversary! Can you believe it? Until the other day, I was sure we were approaching four years, not five. Five sounds like a magic number, doesn't it? Way more magical than four, at least (LOL). I'm not sure how prone you are to giving in to meditative states, but I caught myself watching my thoughts come and go these days as I walked in the park. They were ideas of change.

This month's poll is different, and I think it'll be a part of a small series. You guys already voted on entrusting all structural choices to me two years ago. I'm grateful for it, and that's why I felt at ease when I chose to change things. Still, I'm sure it's essential to hear you. =^___^=

What is today's topic? I've received one particular kind of feedback from former patrons that's always on the back of my mind. They told me that it was hard to access their rewards. It was more than that. Most of the time, they were referring to problems related to the post (i.e., hopping from post to post inside the Patreon gallery, manually curating all the content, etc.). Consequently, I wondered whether it wouldn't be better to adopt a different model for delivering rewards. I've been researching other artists and content creators, and I stumbled upon the "art pack" idea so many times that I cannot keep ignoring it.

Why do I like it? The art pack solves the task of curating the rewards delivered each month. It contains all the rewards in a single compressed file (which, in turn, is composed of an organized set of folders with all the monthly rewards in them). It also prevents a recurring problem that is anything but fair to you: it makes the rewards available only to those who went through the respective monthly billing cycle. This way, those who systematically make a pledge and leave before the billing cycle can only see the standard-resolution illustrations available to all tiers. All further rewards will be neatly packed in their respective art packs. I know very well that Patreon's spirit is tightly related to the relationships that we build here. I cherish and celebrate that, but I also see how unfair it can feel when someone takes advantage of it for personal gain. That's how I would feel as a patron.

How would it work? I would send each monthly art pack link through a Patreon DM to all who completed the most recent billing cycle. Each art pack would have its link active for a limited time (ideally, one month) so that everyone has time to make a personal copy. For example, suppose a patron called Thomasin joins our gallery and makes her first pledge in Jan/2023. In that case, she will access the Patreon feed instantly. Still, she would only be eligible to receive Feb/2023's art pack, given she completes her first billing cycle (i.e., the one between Jan/2023 and Feb/2023). Previous art packs could be available on a platform such as Gumroad. This would be what I have in mind for our main monthly illustrations. Extra illustrations (such as commission illustrations, sketches, etc.) would be posted as usual but wouldn't have their own art pack.

Although I did a fair share of research to bring this idea to the table, none of this is written in stone. As of today, the art pack seems to me like an organized, fair, scalable, and sustainable solution, but I'm all ears for your input, preferences, and personal experiences. Some of you may love this idea (like those I spoke to). Some may vehemently reject it. I don't know what to expect, so I'd like to use today's poll to understand your opinions about it a little better.

...

About the art pack, I feel...

[Extra] The way it rubs

Hello there, fellow futa lovers!

Painting an illustration requires construction as a fundamental skill. We use knowledge and personal references from anatomy and perspective to create stuff from imagination (the approaches are endless but always rely on a set of wires, boxes, spheres, cylinders, and the like). I think of it as the mental great-grandfather of 3D modeling and rendering. Today I'd like to bring you something different: an observational study with just a speck of equine imagination. What I love about observational studies is how committed we get not to visual descriptions (which come naturally to construction approaches) but to a visual impression instead. Our eyes are wild beasts. They don't see people or objects. Light is all they can see, so edges get blurred, foreground and background fuse here and there, colors are never undoubtedly what they seem to be, and so on. So much joy! The result of thinking like this is always some form of realism. I believe this kind of practice is an excellent antidote to bad habits that constantly arise during construction routines and to creative burnout. And it's fun, oddly relaxing as well. =^____^=

I'll probably bring more of those in the upcoming weeks. Although the canvas doesn't get as busy as many illustrations, I hope you like them.

Enjoy!

Q.

p.s.: this is an extra painting, an early access submission. I'll post it on my social media in the future.

[Extra] The way it rubs [HQ]

Hello there, fellow futa lovers!

Painting an illustration requires construction as a fundamental skill. We use knowledge and personal references from anatomy and perspective to create stuff from imagination (the approaches are endless but always rely on a set of wires, boxes, spheres, cylinders, and the like). I think of it as the mental great-grandfather of 3D modeling and rendering. Today I'd like to bring you something different: an observational study with just a speck of equine imagination. What I love about observational studies is how committed we get not to visual descriptions (which come naturally to construction approaches) but to a visual impression instead. Our eyes are wild beasts. They don't see people or objects. Light is all they can see, so edges get blurred, foreground and background fuse here and there, colors are never undoubtedly what they seem to be, and so on. So much joy! The result of thinking like this is always some form of realism. I believe this kind of practice is an excellent antidote to bad habits that constantly arise during construction routines and to creative burnout. And it's fun, oddly relaxing as well. =^____^=

I'll probably bring more of those in the upcoming weeks. Although the canvas doesn't get as busy as many illustrations, I hope you like them.

Oh! I almost forgot to mention: I recorded my painting sessions and created a nice timelapse for those who enjoy seeing the painting process. The file is attached to this post.

Enjoy!

Q.

p.s.: this is an extra painting, an early access submission. I'll post it on my social media in the future.

At the old Silva's parking lot

Epona liked it when there was no one around. Still, she indulged the fantasy that she could be seen in public by strangers, or half-strangers, which explained the last-minute invitation to Paula. Iris and Tallulah felt differently about that, but they missed each other very much. They took a shortcut along an alley until they reached the old Silva's parking lot, a secluded location perfect for some outdoor action. It was away from society's judging eyes and, most importantly, the authorities. Places like that in Rio are never truly safe, but the risk was part of the experience.

"I think we're safe here," said Tallulah.

"Do you girls think this is a good idea?" Paula kept checking both sides of the alley leading to the abandoned parking lot. She was a few years older than Iris, and they had a story together, of course. They had met at the gym years before Iris called herself by that name, and then they became friends with benefits. Paula, a cis woman, was fascinated by everything belonging to the herm culture, including Iris' unique case of sudden gender transformation.

"You don't need to join if you don't want to. Are you afraid?"

"No, of course not!" Paula's voice drew the attention of both Tallulah and Epona. She was a board-certified shrink, so lying about her feelings after so many years of training was twice as bad. Iris held her hand. Paula felt her warmth alongside the delicate noise of her bangles as their arms touched.

"You can watch. Just watch. We'll start slow like we usually do, and you can kiss the shaft gently if you feel like it. Epona loves a good kisser. I'll handle the milk flow alone, so you'll be safe.

Epona and Tallulah were kissing already. As they moved, they hit one of the rusty carts, and Iris kneeled and tied her hair. She had both her hands on Epona's skirt.

"Slow, huh?" Paula said, blushing.

* * *

Hello there, fellow futa lovers!

Ah! September, here we are! These few weeks were outlandish, but all is well now. I was going to post a (long-winded) text where I'd elaborate on the subject, but I chose not to. In a few words, the workstation I had purchased won't arrive. They decided not to give me a refund either, so this will be a helluva headache. In the meantime, my old PC died (the backup machine was already broken), so I fetched a new one at the mall. All the components were in stock, so more power to the guys at the mall (you're the real heroes!). It has less horsepower than the one from the previous store, but it works miracles compared to the old one.

I'm still testing what it can do, but I'm enthusiastic about the prospects. This new PC will allow me to work at ease with 4K+ canvases. I'll use higher quality brushes upscaled, record/stream my workflow without clashing with the painting software's resources, and render eventual 3D elements way faster. In the end, the PC is just a tool. I believe that honing my craft is what creates better illustrations, but whenever the device gets in the way of the workflow, we face all sorts of hardships. Well, not today. :D

Also, I abhor buying computers online at the moment (LOL). I think these are all the updates I have today. =^_____^=

Thank you so much for all the love and support! Enjoy!

Q.

At the old Silva's parking lot [HQ]

Epona liked it when there was no one around. Still, she indulged the fantasy that she could be seen in public by strangers, or half-strangers, which explained the last-minute invitation to Paula. Iris and Tallulah felt differently about that, but they missed each other very much. They took a shortcut along an alley until they reached the old Silva's parking lot, a secluded location perfect for some outdoor action. It was away from society's judging eyes and, most importantly, the authorities. Places like that in Rio are never truly safe, but the risk was part of the experience.

"I think we're safe here," said Tallulah.

"Do you girls think this is a good idea?" Paula kept checking both sides of the alley leading to the abandoned parking lot. She was a few years older than Iris, and they had a story together, of course. They had met at the gym years before Iris called herself by that name, and then they became friends with benefits. Paula, a cis woman, was fascinated by everything belonging to the herm culture, including Iris' unique case of sudden gender transformation.

"You don't need to join if you don't want to. Are you afraid?"

"No, of course not!" Paula's voice drew the attention of both Tallulah and Epona. She was a board-certified shrink, so lying about her feelings after so many years of training was twice as bad. Iris held her hand. Paula felt her warmth alongside the delicate noise of her bangles as their arms touched.

"You can watch. Just watch. We'll start slow like we usually do, and you can kiss the shaft gently if you feel like it. Epona loves a good kisser. I'll handle the milk flow alone, so you'll be safe.

Epona and Tallulah were kissing already. As they moved, they hit one of the rusty carts, and Iris kneeled and tied her hair. She had both her hands on Epona's skirt.

"Slow, huh?" Paula said, blushing.

* * *

Hello there, fellow futa lovers!

Ah! September, here we are! These few weeks were outlandish, but all is well now. I was going to post a (long-winded) text where I'd elaborate on the subject, but I chose not to. In a few words, the workstation I had purchased won't arrive. They decided not to give me a refund either, so this will be a helluva headache. In the meantime, my old PC died (the backup machine was already broken), so I fetched a new one at the mall. All the components were in stock, so more power to the guys at the mall (you're the real heroes!). It has less horsepower than the one from the previous store, but it works miracles compared to the old one.

I'm still testing what it can do, but I'm enthusiastic about the prospects. This new PC will allow me to work at ease with 4K+ canvases. I'll use higher quality brushes upscaled, record/stream my workflow without clashing with the painting software's resources, and render eventual 3D elements way faster. In the end, the PC is just a tool. I believe that honing my craft is what creates better illustrations, but whenever the device gets in the way of the workflow, we face all sorts of hardships. Well, not today. :D

Also, I abhor buying computers online at the moment (LOL). I think these are all the updates I have today. =^_____^=

Thank you so much for all the love and support! Enjoy!

Q.

Roll the dice #9

Shola was long gone when Leto took the subway and headed home. She still felt her legs shaking from Kathleen's party.  

"I didn't even get the chance to be with her," Leto whispered to herself. Kathleen was different now, with all the tattoos and the tomboy look she never had in her school years. Leto smiled. Her tail was in her backpack, but she wore her wolf ears under the hoodie. 

On the other side of the station, she saw Epona standing in a dark area, typing on her phone. She was alone at first, but then someone approached her. 

[Extra] Epona sketch

What would happen if I switched from my old yet cozy desktop PC with a large Intuos Pro to a mobile device?

I’ve been experimenting with Infinite Painter on my Samsung Galaxy Tab S4. I’m still in the eye of the learning curve storm, but it’s good to know that it is possible to create something interesting with the limitations of a mobile device. Not having a keyboard in my left hand slows me down considerably when switching between tools. However, what can be accomplished with gestures unexpectedly boosts productivity. In a nutshell:

- - - - - - -

The good:

- Gestures are excellent, almost addictive.

- Drawing feels easier on a tablet display.

- Adding complexity won’t be such a problem (to an extent).

- Infinite painter’s behavior was pretty good (no crashes etc.).

The bad:

- The stylus feels tiny and fragile.

- Limited hardware limits canvas size.

- Limited hardware limits the number of layers (forcing me to merge them more often).

- It’s great for sketching, but it doesn’t replace the versatility of a desktop.

The ugly:

- Infinite painter is wholly broken when exporting to PSD, a deal breaker for patrons looking for the original, multilayered file (RIF, KRA, PTG, PSD, etc.) as a benefit.

- - - - - - -

Anyway, I had fun painting this small piece on my tablet. Today I’d like to share this intimate moment of Epona with you guys. =^___^=

Enjoy!

Q.

[Extra] Epona sketch [HQ]

What would happen if I switched from my old yet cozy desktop PC with a large Intuos Pro to a mobile device?

I’ve been experimenting with Infinite Painter on my Samsung Galaxy Tab S4. I’m still in the eye of the learning curve storm, but it’s good to know that it is possible to create something interesting with the limitations of a mobile device. Not having a keyboard in my left hand slows me down considerably when switching between tools. However, what can be accomplished with gestures unexpectedly boosts productivity. In a nutshell:

- - - - - - -

The good:

- Gestures are excellent, almost addictive.

- Drawing feels easier on a tablet display.

- Adding complexity won’t be such a problem (to an extent).

- Infinite painter’s behavior was pretty good (no crashes etc.).

The bad:

- The stylus feels tiny and fragile.

- Limited hardware limits canvas size.

- Limited hardware limits the number of layers (forcing me to merge them more often).

- It’s great for sketching, but it doesn’t replace the versatility of a desktop.

The ugly:

- Infinite painter is wholly broken when exporting to PSD, a deal breaker for patrons looking for the original, multilayered file (RIF, KRA, PTG, PSD, etc.) as a benefit.

- - - - - - -

Anyway, I had fun painting this small piece on my tablet. Today I’d like to share this intimate moment of Epona with you guys. =^___^= 

Enjoy!

Q.

[Extra] Kallie

Hello there, fellow futa lovers!

Character design is challenging. It’s like putting puzzle pieces together, except every part is dear and close to the heart of its creator. There’s something literal about this puzzle analogy regarding fantastic creatures. I recall one email between Kyropracter and me in which we talked about how anatomically demanding we can/could/should get when it comes to the more straightforward case of futa anatomy… How does everything connect? Do they have ovaries as well? And in the case of diphallia, do both dicks ejaculate at the same time? Why so? 

Of course, most people rarely ask these questions constantly, but when you need to draw fantastic anatomies, sometimes you need equally impressive strategies. Keeping proportions and finding balance and harmony Is the name of the game. What if we decide to draw a red-haired fawn beauty with spider features, spider-like duplications, and phallic tentacles? Well, that’s my raison d’être as an artist. =^____^= 

Illustrating Kallie, one of Kyropracter’s sexiest characters at the peak of her transformations, required me to study a lot of (human, fawn, and arachnid) anatomy and find attractive, organic solutions that won’t break the character’s proportions and overall sense of weight and flexibility. However, none of this would be possible without the spark of creation of Kyropracter, who brought these elements together in a single, beautiful character through his writing and invited me to share this visual interpretation of her.

Thank you so much, Kyro, for sharing your OC with everyone, and thank you all for the love and support! =^___^=

Q.

p.s.: this is an extra painting, an early access submission. I'll post it on my social media in the future. Since this was a commission painting, I won't publish its RIF file.

[Extra] Kallie [HQ]

Hello there, fellow futa lovers!

Character design is challenging. It’s like putting puzzle pieces together, except every part is dear and close to the heart of its creator. There’s something literal about this puzzle analogy regarding fantastic creatures. I recall one email between Kyropracter and me in which we talked about how anatomically demanding we can/could/should get when it comes to the more straightforward case of futa anatomy… How does everything connect? Do they have ovaries as well? And in the case of diphallia, do both dicks ejaculate at the same time? Why so?

Of course, most people rarely ask these questions constantly, but when you need to draw fantastic anatomies, sometimes you need equally impressive strategies. Keeping proportions and finding balance and harmony Is the name of the game. What if we decide to draw a red-haired fawn beauty with spider features, spider-like duplications, and phallic tentacles? Well, that’s my raison d’être as an artist. =^____^=

Illustrating Kallie, one of Kyropracter’s sexiest characters at the peak of her transformations, required me to study a lot of (human, fawn, and arachnid) anatomy and find attractive, organic solutions that won’t break the character’s proportions and overall sense of weight and flexibility. However, none of this would be possible without the spark of creation of Kyropracter, who brought these elements together in a single, beautiful character through his writing and invited me to share this visual interpretation of her.

Thank you so much, Kyro, for sharing your OC with everyone, and thank you all for the love and support! =^___^=

Q.

p.s.: this is an extra painting, an early access submission. I'll post it on my social media in the future. Since this was a commission painting, I won't publish its RIF file.

Jungle party

Leto had a fresh, ripe, shiny tomato in her hand when she saw a familiar face walking down the same aisle she was in. Was that...? 

"I can't believe I found you here! Epona's cousin and best friend. How are you?"

"Hey, Karissa! Long time no see!" Leto wasn't that close to Karissa in high school. "I'm cool. You?"

They exchanged a couple of news from their personal lives. Karissa was married to a guy she met in college. She knew the whereabouts of John, Kathleen, and everyone else from their class except for Thomas. Did she know Thomasin had transitioned? Leto wasn't sure, but Karissa's initial words echoed inside Leto's mind. Epona was much more than a cousin and best friend back in the day. Karissa was, like everyone else, trying to keep the past safely, well, in the past. Her words faded into the background like white noise. Leto dropped the tomato on the supermarket floor.

"I, uh... How clumsy of me..." She said.

"So, I was telling you about the party we're planning at Kathleen's place. You're welcome to join us too! It's going to be a jungle party. Rawr!” 

A jungle party, she said, and then winked. The days passed. Leto wasn’t aware that Karissa was hinting at what kind of party that one would be. It wasn’t a big party. It wouldn’t be wise to throw an orgy for more people than a reasonably small group of friends, but Kathleen expected everyone to attend, and she wanted them to have fun.

“I want them to have fun,” she said to no one. 

Kathleen had a beautiful garden in her backyard, but she made sure the party took place by the trees and decorated everything so it would be comfortable for her beastly guests. There was always food, booze, and lube at hand. Kathleen was dressed as a typical, old-school explorer she knew from watching adventure movies. Thomasin wore cute elephant ears and seemed confident. John was so excited that his bird costume made him the largest animal in the house. Also, he did spend a lot of time lifting some weights. Good for you, John. Karissa went dressed in a zebra shirt, but everyone complained that zebras live in the savannas and yada yada, so she took it off in front of everyone, filling the room with joy. Leto had ears and a tail, which made her look cute. Finally, Shola…

“OMG… I didn’t know you’d be here, Shola,” said Thomasin. Shola was Thomasin’s Domme, and Thomasin was Shola’s Sub, but they weren’t used to meeting outside the fetish club.

“Yes, I am. You can call me mistress here as well.” Her voice was calm. “Is it OK with you if we’re together here as well?” 

Thomasin’s chin rested on Shola’s index finger for a split second.

“Yes, mistress.”

“Good. They don’t need to know if you don’t want them to. Will you have fun?”

“Yes, mistress. I will.” Thomasin said with a grin. 

* * *

Hello there, fellow futa lovers! 

October is here! I was super hyped with the poll that turned into this painting. A jungle orgy scene! OMG! I had a wonderful time painting this one, guys! I started it on Corel Painter and resumed it on Krita: Shola and Leto were halfway through, but then I experienced some instability with Painter (I’m not sure if it has to do with my old computer or the app itself, but it was constantly crashing), and then decided to switch gears, so you’ll likely find some hybrid brush marks if you look for them.

Back to our painting! Okay… I’ve been to threesomes in the past (as long as it’s between responsible and consenting adults, I highly recommend it), but have you guys hosted a real orgy before? I haven’t, but it must be so fun! There’s something very soothing but also exciting about watching it. Maybe the beauty is in the eye of the beholder: one of the first sex scenes that hugely impacted me was Caligula’s orgy scene. It’s an old movie, but I simply love that scene. =^___^=

Thank you all so much for the love and support!

Cheers!

Q.