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The Section Formerly Known as Masters

Last year, TIFF edged toward maybe considering reviving its terminated Masters program(me), not by putt...

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The Age of Innocence (Martin Scorsese, 1993)

BY REQUEST: Chris Lester

Last seen November 2003. Although it's unfair, when I ...

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Our Body (Claire Simon, 2023)

A film is always several things at once. To a great extent, it is a group of images and sounds that ar...

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Arcadia (Yorgos Zois, 2024)

Maximum big surprise? 

No, not exactly, but Arcadia is watchable enough, given tha...

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David Bordwell (1947-2024)

Few academics in the humanities have had the impact, in their field and beyond it, that David Bordwell...

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No Hard Feelings!

I've been meaning to leave a note here to acknowledge a situation that might be weird, althoug...

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The Feeling That the Time for Doing Something Has Passed (Joanna Arnow, 2023)

Like many of you, I've been hearing about Joanna Arnow for a while now. In cinephile circles, her film...

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The Aerial (Esteban Sapir, 2007)

BY REQUEST: Daniel

One of the reasons I enjoy the subscriber lottery so much is...

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A Sense of Nothing (Francisco Rojas, 2024)

Rojas' last film, A Sea of Glass, was one of my favorite films from 2023, and I fessed up to t...

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Lovely Rita (Jessica Hausner, 2001)

My feelings about Club Zero, which are conflicted but nevertheless quite negative, prompted me...

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Entrance Wounds (Calum Walter, 2023)

If you haven't yet read 2024-02-22 06:43:32 +0000 UTC View Post

Three Recent Films by Colectivo Los Ingrávidos

The somewhat anonymous Mexican experimental film group Colectivo Los Ingrávidos are astonishingly prolific. When one checks in with their Vimeo page, it's often the case that the group have posted...

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Lottery Without Balls

There still remains one selector from the previous batch, but I wanted to go ahead and line up the next...

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Club Zero (Jessica Hausner, 2023)

"The logical result of Fascism is the introduction of aesthetics into political life." (2024-02-18 07:09:34 +0000 UTC View Post

Anticipation of the Night (Stan Brakhage, 1958)

It's another InRO special, this time permitting me to go long, and hopefully deep, on one of Brakhage's...

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Short Fuse (Warren Sonbert, 1992)

Obviously there's a great deal to be said about Warren Sonbert's films on a formal level. His montage s...

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How to Have Sex (Molly Manning Walker, 2023)

ABOVE: a vaguely phallic swimming pool

I must admit, I am not sure there is any version ...

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Inside the Yellow Cocoon Shell (Phạm Thiên Ân, 2023)

It's a familiar gambit. A first-time filmmaker, uncertain that the funding vicissitudes of venture capi...

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Recent InRO Pieces

Welp. With the official end of Cinema Scope after 25 years, In Review Online is now my main pipeline for getting my work into the wider world. (Granted, I am usually too busy to pitch stories or hi...

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Maborosi (Koreeda Hirokazu, 1995)

BY REQUEST: Maxwell S.

I'm not sure exactly how long ago I first saw Maboros...

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Priscilla (Sofia Coppola, 2023)

Although I found Priscilla rote and rather tedious, I have a sneaking suspicion that it will b...

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Origin (Ava DuVernay, 2023)

Okay, so Origin is not a good film. There are a lot of things wrong with it. But it is also a ...

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Good One (India Donaldson, 2024)

Above is the lone film still available for India Donaldson's Sundance premiere Good One. This ...

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Lorang's Way (David and Judith MacDougall, 1977)

As usual, in my Writing 1302 courses we are studying documentary form. Since the students have to write...

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don't blow it in the vector (Richard Sides, 2014)

BY REQUEST: Nicki Duval

If I had been seduced, or even intrigued, by the music u...

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Selection Time Again

I did the lottery a bit different this time. Since Patreon now allows unpaid subscribers (who are prett...

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Captain Elliott's Circle (Jake Barningham, 2023)

BY REQUEST: Daniel Gorman

If we take the position that essay films are essential...

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Black Girl (Ousmane Sembène, 1966)

It seems that Black Girl, Ousmane Sembène's debut featurette, is destined to be his consensus...

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Are You There God? It's Me, Margaret. (Kelly Fremon Craig, 2023)

Ideologically, the polar opposite of Air, although perhaps the comparison is unfair. But where...

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Last Summer (Catherine Breillat, 2023)

We all know that the film industry and younger audiences are 2024-01-21 23:56:00 +0000 UTC View Post