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Grading on a Curve (or, NEON vs A24)

I just finished grading a ton of term papers and research proposals, which has thrown me a bit behind on writing duties. But there is an ironic element to this since, while watching these two "elev...

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The Power of the Dog (Jane Campion, 2021)

Magnificently directed, beautifully acted, and driven by a score by Johnny Greenwood that thuds when yo...

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The Year of the Everlasting Storm (various filmmakers, 2021)

As has been widely reported, The Year of the Everlasting Storm is a bit better than the average multi-director omnibus. This is all the more surprising since it is a project occasioned by ...

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Back After a Brief Pause

Just a quick note of apology. In addition to having spent a week at my parents' house, where it is not ...

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Recent Experimental Cinema 2: Grenier, Vaz (x2)

Wishbone (Vincent Grenier, 2021)

Like Jodie Mack's Wasteland No. 3, Gre...

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Recent Experimental Cinema 1: Mack, Fleischmann

As I mentioned in my TIFF Wavelengths wrap-up, the pandemic has been an oddly productive time for the experimental film community. When one considers that certain festival showcases did not really ...

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El Gran Movimiento (Kiro Russo, 2021)

I go long for 2021-10-01 05:33:28 +0000 UTC View Post

Dear Evan Hansen (Stephen Chbosky, 2021)

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Wheeze Hack Cough

Yep, that was me. You're probably wondering how I got into this situation.

For years, I have paid...

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NYFF Currents-a-Go-Go

In and Out a Window (Richard Tuohy and Dianna Barrie, 2021)

Although the Current...

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Returning to Reims (Fragments) (Jean-Gabriel Périot, 2021)

It took me a minute to figure out exactly what Périot is up to in this film, but maybe that's because ...

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A Little More NYFF Currents

Grandma's Scissors (Erica Sheu, 2021)

Sheu's previous film Transcript w...

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NYFF Currents Part Deux

As I mentioned to a couple of friends, there is a weird trend with this year's Currents shorts. The majority of them -- 15 in total -- are 20 minutes or longer. Another eight are between 15 and 19 ...

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Currents Conditions

I will be doing a write-up of some more of the NYFF Currents short films (and a couple of features, may...

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Little Girl (Sébastien Lifshitz, 2020)

Little Girl is a documentary about an eight-year-old trans girl struggling with bigotry and ig...

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Wet Sand (Elene Naveriani, 2021)

SPOILERS, but you'll never see this anyway.

I suppose as fascism continues to ri...

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France (Bruno Dumont, 2021)

A lot of major French directors, such as Olivier Assayas and Arnaud Desplechin, make a habit of hopping...

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I Wrote the Thing (Again)

So MUBI ran my TIFF Wavelengths piece this morning. Way to catch the crest of festival fever!

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Arthur Rambo (Laurent Cantet, 2021)

For CINEMA SCOPE's 2021 TIFF Coverage:

In a lot of ways, Arthur Rambo i...

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Benediction (Terence Davies, 2021)

For CINEMA SCOPE's 2021 TIFF Coverage:

Terence Davies’ latest film focuses on ...

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Moneyboys (C.B. Yi, 2021)

Another film that concludes with an emotionally repressed character dancing it out for all the...

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Playground (Laura Wandel, 2021)

It comes as no surprise that the shadow of Jean-Pierre and Luc Dardenne hangs heavily over contemporary...

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Medusa (Anita Rocha de Silveira, 2021)

For CINEMA SCOPE's 2021 TIFF Coverage:

It’s spoiling nothing to mention that <...

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Recent Experimental Films: Pirker / Lamas / Szlam

These are significant new films that, for whatever reason, are not coming soon to a theater near you.

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The Clock (Vincente Minnelli, 1945)

It's 1945, and the anxiety around World War II has turned everything, including courtship, into a race ...

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September: Back on My Bullshit

First, the bad news. I will not complete the viewing of the oldies I selected for this month. I may yet...

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The Life and Death of Colonel Blimp (Michael Powell and Emeric Pressburger, 1943)

Having finally caught up with the Archers towering canonical masterpiece, I'm going to have to cast my ...

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NYFF Currents 1 (a mixed bag)

In Flow of Words (Eliane Esther Bots, 2021)

In Flow of Words is an admi...

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From Bakersfield to Mojave (James Benning, 2021)

Between here and there is better than either here or...

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Volleyball (Yvonne Rainer, 1967)

As I mentioned on Letterboxd, this is less of a film in the conventional sense than a cinematic gesture...

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