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June Director of the Month

I'll have at least one more Ray write-up (for The Big City), possibly another, before May is over. But now, let's set the agender for Pride Month.

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Betrayal (Lewis Milestone, 1929)

That feeling when you discover your wife with your best friend.....

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Road to Nowhere (Monte Hellman, 2010)

Neither a disaster nor an auteurist triumph, Road to Nowhere tells us a few things about the c...

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Devi (Satyajit Ray, 1960)

Faith and reason, at it again. As is often the case in Ray's films, Devi provokes crucial ques...

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Final Destination Canada (and more!)

Due to my short attention span recently, I have been watching a ton of public service announcements on ...

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The Big Experimental Rundown (Part Two)

ABOVE: a pharmacist working at a Steenbeck

2021-05-26 00:41:11 +0000 UTC View Post

Madalena (Madiano Marchetti, 2021)

I had previously watched half an hour of Madalena during Rotterdam, and although it was certai...

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Slower Traffic Keep Right

Since I have not been producing writing as quickly or as often as I have been in the recent past, I fig...

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The Big Experimental Run-Down (Part One)

Despite the fact that avant-garde film and video are sort of my bailiwick, I've been spending much of m...

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Gull (Kim Mi-jo, 2020)

Gull is a rather simple film, although its depiction of the aftermath of sexual assault is und...

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Aparajito (Satyajit Ray, 1956)

Considering Aparajito in relation to Pather Panchali, I began having significant doub...

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The Killing of Two Lovers (Robert Machoian, 2020)

The Killing of Two Lovers is a film that focuses most of its attention on things that don'...

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Moon, 66 Questions (Jacqueline Lentzou, 2021)

As has been the case with several of this year's New Directors / New Films selections, Moon, 66 Que...

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An Enemy of the People (Satyajit Ray, 1989)

There are a few particularly interesting things about Ray's take on Ibsen. First, until about a year ag...

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Faya Dayi (Jessica Beshir, 2021)

This is a uniquely frustrating documentary, because it has so much potential. First-time director ...

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Pather Panchali (Satyajit Ray, 1955)

As I've addressed here and on other forums, I had no direct exposure to the Official Film Canon as such...

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Downstream to Kinshasa (Dieudo Hamadi, 2020)

In recent years, the documentaries of the DRC's Dieudo Hamadi have started receiving more recognition i...

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Comedy Corner (workshop material)

Konstantin Chernenko and Pope John Paul I walk into a bar. "One vodka and one cabernet," Chernenko announces, but the bartender points to two gentlemen on stools. "They're already having your drink...

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Film About a Father Who (Lynne Sachs, 2020)

This is a difficult film to evaluate. It's the latest in a recent spate of auto-portraits of filmmakers...

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Wood and Water (Jonas Bak, 2021)

Clocking in at a lean 80 minutes, Wood and Water is one of those films that gets so much right...

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Sleepwalk (Sara Driver, 1986)

I did not care for this movie. But it has undeniable significance as an artifact.

I'm probably in...

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Mask ON! Lights DOWN! Roll FILM!

I do believe that Zhang Yimou is going to lure me back into the theater. I don't know who this Cliff Wa...

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Shadow of a Doubt (Alfred Hitchcock, 1943)

I decided to close out Hitchcock Month with Shadow of a Doubt mostly because I read that it wa...

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Fixing a Hole

Hello, friends.

I am writing this quick note to "put out feelers" on a topic of no real importanc...

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The Lady Vanishes (Alfred Hitchcock, 1938)

"There is definitely something queer on this train..."

I don't know that I have a great ...

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Rebecca (Alfred Hitchcock, 1940)

And it is here that the exactitude of Hitchcock's filmmaking runs up against the intractability of my p...

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Irradiated (Rithy Panh, 2020)

Just a few days ago, 2021-04-25 23:44:18 +0000 UTC View Post

But Wait! There's Moor!

The Tragedy of Othello -- the Moor of Venice (Orson Welles, 1951)

First of all, ...

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North by Northwest (Alfred Hitchcock, 1959)

North by Northwest: a review by Michael Sicinski


[AB...

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Rifkin's Festival (Woody Allen, 2020)

First things first. I'd kind of sworn off Woody Allen, for the obvious reasons. Even if we don't know p...

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