Color has been my world for a while now — all the rich tones, the cinematic warmth, the stuff I’ve been obsessing over lately. But shooting this set with Aleshia pulled me back into black and w...
2025-11-13 17:52:16 +0000 UTC View Post
Every now and then I dig back through the archives and find a set that still punches way above its weight — and this shoot with Anfisa in the Hollywood hills is one of those gems.
Shot in L...
2025-11-12 22:45:02 +0000 UTC View Post
Happy Place is one of those sets where every color just falls perfectly into rhythm — the fiery orange backdrop against the rich green turf creates this wild complementary contrast that ...
2025-11-11 02:01:00 +0000 UTC View Post
You don’t need a lot to make something hit — just good light, the right energy, and someone who knows how to move. This whole set with Aleshia is proof of that. One light, one backdrop,...
2025-11-05 19:20:27 +0000 UTC View Post
I found this old cemetery hidden deep in the woods — no trails, no signs, just weathered stones scattered between the trees. The kind of place you’d miss even if you were standing in it.
2025-10-31 15:07:51 +0000 UTC View Post
🚨 Off Duty — New Set with Cass
Shot in Jupiter, Florida’s Dubois Park, this was our second set of the day — the light had already started to turn, that unpredi...
Marie Love — Fall Heat We shot this just past Otisco Lake, middle of fall when the air starts to bite but the light’s still got that warmth to it. Late afternoon sun, low angle, all na...
2025-10-29 22:43:52 +0000 UTC View Post
Shot this down at Jupiter Pier right as the tide started to rise. The light under there is tricky — super directional but soft once it bounces off the concrete. You can see it wrap around her in ...
2025-10-24 15:59:21 +0000 UTC View Post
There’s something special about this one — a full 52-photo set that starts golden and ends in the dark.
We shot this with the ’69 Camaro as the sun went down, and...
Some shoots don’t need color. This one with Aleshia was all about tone, shape, and attitude — nothing extra. Just clean studio light, dark stockings, and that confident look over her shoulder t...
2025-10-16 19:12:26 +0000 UTC View Post
Some cars don’t just sit there — they radiate presence. This isn’t a stock 930. It’s a Promodet Komine Engineering build from Japan, brought to life by RMC Miami. Underneath that c...
2025-10-13 16:32:56 +0000 UTC View Post
This set has been sitting in the vault since 2022 — shot on one of those rare fall evenings when the air was warm enough to feel like summer, but the hills were already burning with colo...
2025-10-10 15:53:57 +0000 UTC View Post
Shot in Jupiter, Florida during hurricane season — the kind of light that shifts every minute. We got lucky that evening; the sky was heavy and flat, the air thick, and the ocean was moving fast....
2025-10-09 19:33:48 +0000 UTC View Post
This set is all about control — of light, body, and energy.
We kept everything minimal: just Marie, the light, and a few dumbbells. The strength you see is real — the kind that com...
2025-10-06 18:01:57 +0000 UTC View Post
We were on the beach just as the first light of the day started to break through the clouds. Sunrise light is completely different from evening—it has this softness and quiet energy that feel...
This series explores narrative and form through the lens of black-and-white minimalism. Shot on a high-contrast day along the coastline, the composition plays with reflection, leading lines, and ne...
2025-09-27 20:18:18 +0000 UTC View Post
Step into the wild side of Florida with this stunning set featuring Cass exploring the sun-kissed mangroves of Jupiter. Shot in warm golden light, the scene blends natural beauty with Cass’s bold...
2025-09-23 13:55:54 +0000 UTC View Post
This set with Marie is pure art—minimal, bold, and completely raw. Shot in perfect black-and-white, the focus is on shape, contrast, and emotion rather than distraction. No props, no frill...
2025-09-17 14:27:43 +0000 UTC View Post
Shot in the studio with clean light, no distractions — just Erin and the lens. This set keeps it simple and raw, focusing on shape, contrast, and that stripped-back studio aesthetic I love...
2025-09-11 15:50:26 +0000 UTC View Post
This one is all about shape, shadow, and attitude. Monochrome with Marie strips it back to the essentials—black, white, and bold lines—with Marie bringing that perfect mix of el...
2025-09-09 16:24:00 +0000 UTC View Post
This set with Aleisha might be one of my favorites we’ve done. There’s something about that mix of cowboy hat, boots, smoke, and attitude that just works. It feels like a western film ...
2025-09-02 23:26:57 +0000 UTC View Post
This set is iconic to me. We shot it under I-81 — the same bridges that are getting torn down soon. To freeze this moment with Faith in front of them feels like capturing a piece of history b...
Some of the best shoots happen when you don’t plan them at all. This set with Erin at Loveland Pass was one of those moments — we were just out there, chasing the sunset, and decided to ...
2025-08-28 16:44:28 +0000 UTC View Post
The desert heat meets retro horsepower. Alaina Paige brings pure cowgirl energy in this sunset shoot—boots, hat, attitude, and an old-school lifted Bronco as the backdrop. The mix of rug...
2025-08-25 20:12:38 +0000 UTC View Post
Old barns have a character all their own—beams of light cutting through the cracks, wood that’s weathered but strong, and a sense of mystery about what’s been left behind. For this s...
2025-08-21 17:38:38 +0000 UTC View Post
This shoot with Faith was all about contrast — bold styling against a natural, wide-open landscape. The texture of the wheat field gave a lot of depth and movement, and her outfit brought ...
2025-08-20 02:19:15 +0000 UTC View Post
Shot on the shores of Cabo in the soft, low light of sunrise, this set blends crisp detail with warm, glowing tones. The first images pull you in close — every grain of sand on Erin’s skin, bea...
2025-08-09 16:18:16 +0000 UTC View Post
This set strips everything down to the essentials — harsh lighting, clean backdrop, and Hannah front and center. Shot in black and white to emphasize contrast and texture, every detail pops: ...
Shot in brutal midday sun with zero cloud cover — no reflectors, no diffusion, just Kenzie, heat waves, and a blown-out ridge line behind her. The blue tones in her set pulled wild contras...
2025-07-31 18:06:28 +0000 UTC View Post