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The Year Was 1972......

Goldwater was in the White House. America's young men were being sent to Algeria to execute a dying col...

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Happening (Audrey Diwan, 2021)

Need it be said? Happening, this year's Golden Lion winner and the sophomore feature from Audr...

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Janie's Janie (Geri Ashur / Newsreel Collective, 1971)

This is a film I always meant to catch up with, mostly because I have been reading about it in passing ...

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A River Runs, Turns, Erases, Replaces (Shengze Zhu, 2021)

It's sometimes the case that a given artwork takes on more meaning that it might have originally becaus...

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What Do We See When We Look At the Sky? (Alexandre Koberidze, 2021)

While there's no question that Koberidze's second feature film is one of the most formally accomplished...

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I'm 50!

And I can KICK! And STRETCH! And KICK!

Okay, now that the year-end crunch is winding down -- stil...

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Last Few Viewings of 2021 (part two)

Labyrinth of Cinema (Nobuhiko Ôbayashi, 2019)

A film so ambitious in scope that...

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Last Few Viewings of 2021 (part one)

North by Current (Angelo Madsen Minax, 2021)

Minax's deeply humane documentary a...

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Year-End Lightning Hoedown No. 6

"I just thought I'd do a little hoedown."

2021-12-28 01:29:39 +0000 UTC View Post

⚡Lightning 〇Round 5

Outside Noise (Ted Fendt, 2021)

As I suggested on Twitter, I admire Ted Fendt's ...

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Lightning Round 4

Although "lightning" may not be the best adjective here. I'm still finding it hard to view movies, as t...

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Year-End Lighning Round #3

I do want to apologize, not just for the highly infrequent posting, but for the shoddy viewing as well. There's just too much going on, and I can only work in brief spurts. 

2021-12-19 20:03:04 +0000 UTC View Post

Drive, or Remain Parked?

I need your help regarding the apparent Film of the Year.

Should I:

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Year-End Lightning Round (Part 2)

Flee (Jonas Poher Rasmussen, 2021)

One would have to be heartless not to be affe...

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Year-End Poll: Lightning Round, Part 1 (updated)

Passing (Rebecca Hall, 2021)

This adaptation of Nella Larsen's 1929 novel is cer...

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Putting It Together

(Stephen Sondheim, RIP)

It's been a busy couple of months, and I very much appreciate your patien...

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Catastrophe, Minimal and Maximal

The Night (Tsai Ming-liang, 2021)

The English title of Tsai's latest experimenta...

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Memoria (Apichatpong Weerasethakul, 2021)

Q: What if the machine kicked back?

I've needed some time to think about Memoria View Post

The Scary of Sixty-First (Dasha Nekrasova, 2021)

It's hopeless, really. If I were to actually take the time to articulate how stupid this is, I'd be fal...

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Jane by Charlotte (Charlotte Gainsbourg, 2021)

Hovering in the distance of Gainsbourg's portrait of her mother Jane Birkin is an earlier film, Agnès ...

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Flag Day (Sean Penn, 2021)

Cannes sure does distort things, huh? Penn's last directorial outing, The Last Face, was god-a...

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Proto-Vines: an Inquiry

I spend a bit of time on TikTok, mostly so I can keep minimally abreast of my son's cultural life. I find it occasionally amusing, but as a platform it's extremely circumscribed. I'm not referring ...

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Dune (Denis Villeneuve, 2021)

I will freely admit that I am not the target audience for Dune. It's not just that I'm not a g...

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Memories? Call 1-800-GOT-JUNK

Tonight, I was catching up with We (or Nous, if you prefer), the documentary by Alice...

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The Velvet Underground (Todd Haynes, 2021)

I'm very glad indeed that Haynes' The Velvet Underground exists. It's an admirable attempt at ...

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The Beta Test (Jim Cummings and PJ McCabe, 2021)


Cummings' debut feature Thunder Road was quite the opening salvo, a film defined by...

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One Second (Zhang Yimou, 2020)

This is hard to really evaluate, of course, because it arrives as damaged goods. The PRC engages in cen...

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Checking In

So obviously there hasn't been much action here. If you check in occasionally with my Films Seen lists ...

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Delphine's Prayers (Rosine Mbakam, 2021)

Mbakam's latest documentary is essentially a portrait film, and as such probably bears comparison with ...

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The Crusade (Louis Garrel, 2021)

The Crusade is the final cinematic project of Jean-Claude Carrière, which is both odd and poi...

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