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Fanu/FatGyver

Fanu/FatGyver

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Fanu/FatGyver posts

Dope old (rare?) funk break sample (DOWNLOAD)

I sample things all the damn time. There's no end to it.
I hear something great – I will sample it. 

I also go to record stores and buy a bit of this and that.
Sometimes I buy records quite blindly just to support a record store, but in hopes of finding something useful.


I just bought a 1 EUR bargain bin soul record with a really crusty sleeve too.
And I found something useful:
old funk break [download] (bass removed with Lalal)
old funk break [download] (bass removed with Ripx)



I want to inspire, so I'll start sharing my finds – let's start with this.
ID shall remain a mystery for now! ;P

I know there's a plenty of funk-break-loving junglists out there, so you might enjoy this one: should be good for some old-sounding breaky stuff!
But you'll be able to do hip hop with this, too: maybe gate some of the drums so they'll sound nicely short and tight (that's also a good exercise).
(I might actually do a break-making video with this sample)

You'll hear there's some shitty parts in it (there's plenty of useful hits in it though, and I've always enjoyed reconstructing a break from those myself instead of using loops), and the reason is that there was a bassline underneath it, as well as some vocals, but I took them out using Lalal.ai which I find the best system for isolating elements, still. BTW I have made a video about it, and they have developed their algorithm even more since.
BUT seems RipX does a pretty good version with it, too, so I'm giving you both.

I know I honestly haven't heard this before (prob because it had the bassline in it).

I definitely want to inspire, and I think dropping these sample nuggets will be a thing for 2023.
(people on my socials hit me up about breaks and hey I love all breaktalk!)


🤔 What's next? 😲

📹 The most requested thing by far – after my recent Legacy walkthrough as well as the Dirge break video dropped – has been a video where I'd actually fully chop a break myself and program a beat with it.
I realize I haven't done this in a long time! I gotta start from the basics and fundamentals, and I want to share all that. This is what I've been doing in private sessions, and I wanna share some info.
So exactly that will be the video for January…which will be coming your way soon...let's get chopping and talk about what goes into it SOON ;-)

I also thought I might do a breaks special at some point where I'd sample some breaks (which ones??) thru some of my old samplers such as SP-1200 and share them with you.


Hope everybody's year has started inspirationally!


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Twitch DJ session Jan 1, 2023 [video download]

Got my monthly DJ show rolling via Twitch.

👉🏻HERE👈🏻 is the archive of the January 1 show as .mp4 file.
You can also watch it on Youtube.

The .mp4 video can be downloaded/streamed.

(it's also available from my Twitch page, and chat comments can be seen on that video only.
Twitch link will expire in two weeks, but Patreon download will stay)


TRACKLIST:

Aeon Four: Equilibrium (Straight Up Breakbeat)

Esc: Amuri Dusk (Straight Up Breakbeat)

Larson Whiled: Nonsense (self-released)

Adam F: Circles (Tes La Rok bootleg)

BC: Drum Sessions 0001

? - ? (Lightless forthcoming)

Rhytual - Deus [Recue remix] (Straight Up Breakbeat)

DJ Food - Scratch Yer Hed [Squarepusher remix]

Seppa – Imber (Slug Wife)

Abnormal – Falling (self-released on Soundcloud)

Rough Territory - Fake Fears [Krugah remix] (Make Or Break)

Senses – St. Germaine (Inperspective)

Quadrant – Faithless

Nightmares on Wax – 3d Warrior [Käärkäsi remix] (self-released on Soundcloud)

Trakker – Start Talkin

Art Cuebik - Tribal Summer [Vector Burn Remix]

? - ?

Rhytual - Gnosis [Skeptical Remix] (Straight Up Breakbeat)

Quartz - 89 Columns (Dispatch)

Gremlinz – Annexed (Renegade Hardware)

Mister Shifter - Roll Like Thunder

St Laurent – What's Happening

Danny Breaks - Beat Biter (Droppin Science)

TRC2 - On Demand (Make Or Break)

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Thank you / new year's resolutions / what's ahead

I hope everyone's had a really good and inspirational holiday period!

As the old year comes to a close and a new one is around the corner, I first wanted to say big thanks to everyone who's here and supporting my Patreon.
It honestly means a lot to me, and I think this year has been the best so far.

Some of you I've mentored and seen your musical progress, I've had many good talks with you about plugins etc., and I always enjoy that.
Some of you I've had nerdy breakbeat discussions and I've also been happy to send some of you breaks from my collection.
I really appreciate each and every supporter here.

I've even been having some careful thoughts about mmmmaybe doing a bit less audio engineering and doing even more content (and also personal tuition)…that's a careful thought I've found myself having as I've been taking 2 weeks off.

btw, Did you finish music on holidays?
I did: my 16-track album. I had 3 songs waiting to get wrapped, and I did finish those and also got a remix job half done.
Albums always takes some serious work, and it's always a relief to call one done.
Looking at April/May release, maybe.

New Metalheadz EP drops late Feb, and I may actually cover all of the songs in a walkthru fashion.
Or instead of walkthru every time, I might even talk a bit more about sound choices and get more nerdy with plugins…what do you think?
The recent Legacy one covered song structure more than anything else, reason being I feel that's one of the areas that gets covered the least (where there's always sound design videos floating around).
So that EP will def result in new video material.

Drum chopping content will most definitely come, as I love doing it, and it's much requested.

Also, will soon drop a Serum bass design video as I was brewing on something pretty interesting on the holidays (every now and then I do refreshers with some plugins I own just to stay sharp with them, so lemme soon share with you some nice tips etc).

I also just got a super interesting new synth/sampler plugin for testing, which I may want to be covering....very Elektron-like!


So yeah, if there's one thing I will promise for 2023, it's that there won't be end for content!

Do you have any new year's resolutions?
Let me hear!
I actually don't have any: getting that album done was a big one for this year.
One thing that interests/fascinates me even more is chords, so chords in my music will be even more prominent.
Maybe a few more videos filming my music gear would be interesting.


Oh and I'm starting a monthly DJ stream via Twitch!
That's a biggie in a way.
First session is Jan 1, 2023, Sunday.
Jan 1, 2023
13:00 GMT / 15:00 CEST
All shows will  be downloadable from Patreon.
Twitch channel is here.


Anyways, thanks once more…thanks for being here and have a great 2023…I'll talk to you then!

-Janne


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🥵 Top 10 worst DJ experiences 😰

Every DJ gets some really bad experiences sometimes. Travelling ones especially.

Let's talk about them.


How did I become a DJ?

I bought myself a pair of Technics in January 2000 to learn DJing, and never regretted that.


I'm happy to say my music (and being able to DJ and play music similar to my own productions) has taken me around the world to DJ and I've visited quite a few countries for that, touring USA several times, been to most countries in Europe that love DNB, been to Russia many times etc...



In an ideal world, everything would always go according to the plan and smoothly…but anyone with some gig/travel experience knows this is not the case.

There are some stories I've been sharing with my DJ friends over the years and I've actually had a top 10 list of the worst experiences.

Some of them may be funny, but maybe some of them also serve as an experience (to me at least, and hopefully there's something to learn for those roaming the globe doing the DJ thing currently).


You can find my mixes/podcasts here (podcasts show as icons, and mixes are at the bottom of the page) and some are on my Soundcloud and Mixcloud.


Aaaaanyways: without further ado, let's start with the worst DJ/travel experiences I've had. Some of them are related to (DJing-related) traveling for DJing, as I've prob had more bad luck with that than just with DJing.


(OK, I lied: there's more than 10, but 10 is a nice number to go for in a headline ¯\_(ツ)_/¯)



FEEL FREE TO SHARE THIS PUBLIC POST




⚫️ San Francisco: music HD breaks ⚫️

OK, I'm warming you up with an easy one that's not technically on my list.

You want to have backups of your music.

Early years of my DJing life (I think I played my very first gig around 2002), I traveled the world with vinyl only, but being able to join the Serato gang made my DJing life easier (I was among the first DNB DJs that Serato sent their first box to as they were looking for some active DJ dudes to rep their brand. I still use Serato!). But you need to back that digital stuff up.

Gig day, chilling at the promoter's place, I was doing some playlist preparation and wanted to shut down my laptop. For some reason, I was getting the Mac beach ball thing, and things weren't going forward. Waited for a few minutes, ran out of patience, and just manually powered my Macbook off.

As I turned it back on, everything works – except for the music folder on my music HD. The folder was grayed out. I had no idea how to fix it.

I was shitting my pants for a bit, thinking I'm in the middle of tour, prob done 5-6 gigs, and still had 5-6 to do.

I did get a faint thought that I had thought of bringing a backup HD. I shit you not one bit when I say that with absolutely trembling hands, I went thru my travel gear, hoping I'd have my backup HD with me…and I did. I didn't even recall packing it, but jesus, was I glad I had done that. Tour went on and nobody knew I nearly cancelled mid-tour as I (nearly) lost all the music I wanted to play.

I actually wanted to say this, as this is a hugely important factor if you travel. Actually, hell, if you do anything important, you do back your shit up.

OK, let's move on to better stuff.



⚫️Helsinki, Finland: CDJ not working⚫️

OK, this isn't a heavy one either, but let's keep warming ya up.

One of my earliest gigs in Finland was in 2005, prob soon after Siren Song release, as Teebee was at the same event.

IIRC, the DNB room opened sort of late, and I was the first DJ there, so I wanted to check the gear of course – that's good practice, or was (these days CJDs kind of make sure things are OK-ish at least).

I showed up early and asked the security dudes if I could go in and make sure the gear is fine. I could not.

Well, as the doors opened, I walk up to the stage, and people rushed in of course.

I started DJing to find out the needles were awful (I hadn't brought that much vinyl with me as I had recently learned to use the then-state-of-the-art CDJs, which I wanted to use), and one of the two CDJs had a really badly functioning cue button. It barely worked. They were CDJ100s, so there were no hot cues or memory points back then: you really needed that cue button to play.

Lesson learned early on: make sure you can do a soundcheck.

I know, I know,  this doesn't really make for a juicy story per se, but I'll say when you have a crowd in front of you and you're struggling to do a good performance, that's the worst.

(Getting booked in my homeland Finland in the 20-ish years I've been DJing has been somewhat rare, or let's say relatively rare, seeing I've been a DJ for 20-ish years and putting in a lot of work as an artist.

E.g., I once talked to the promoter of what's prob the biggest festival here, asking for a gig, and he says, he can't really book me here as I'm not getting gigs here. And at the same time I was DJing abroad all the time. That year, I had also remixed two other artists performing at the festival that year, but nah, those didn't help.

Finland, what is up?)




⚫️ Almost busted by Canadian border control ⚫️

This was prob in 2009.

I'll admit now all the three long US tours I did, I did them as a tourist: no visa. Internet and socials weren't that huge then, there was no IG where DJs would announce their schedules etc. It was risky, as every tour had around 12 shows (let me tell you I miss the early-internet or no-internet days: you got judged by your musical output only and not by how good your socials look).

I had done a few gigs in USA and did an overnight trip to Canada, then coming back to USA for the rest of the tour.

I had prob flown in to Toronto from Pittsburgh.

Naturally, you end up in this long queue that ends up on the counter where passports get checked. The lady at the counter takes a look at your passport and this small document you needed to fill in on the plane, stamps it, and directs you to the luggage area. Took some 30 mins to get there.

Except when it's my turn, she tells me to go THAT way…where no-one else was going. I am baffled but kind of know why. I ask why, and she just repeats, go that way.

So yeah, I enter this small-ish room, and one look at the queue tells me it's an immigrant room or something, as I'm seeing multiple nationalities queuing before me.

I admit I totally sort of panicked as I knew they'd bust my ass and send me home for not having a visa. My heart started racing, I started sweating and I felt generally horrible. The queuing took prob around 30 mins till I got to the desk – in which time I actually managed to calm down and prob looked fairly normal.

The man at the desk asks me quite directly where I'm going, why, if I had any drugs on me, why I'm only staying for one night and then going back to USA which wasn't my homeland (I understand that looks suspicious). I told him I'm just attending a party I wanted to go to. He asks me what artists are playing, where it was, what's the name of the club…and lemme tell ya, when you do a tour of 12 gigs, you don't really learn or memorize any of that: there's someone to pick you up, they take you where you gotta be etc. The only thing I could say was that Stranjah was playing at the same event!

This went on for maybe 3-4 mins and I'm sure I'd soon get sent back. A sudden turn of events was the gentleman realizing I was a Finn! So he starts listing Finnish sports people to me: "Aaah, Finland! Jari Litmanen, Tommi Mäkinen, Jari Kurri" etc…and man did that break the ice! I of course joined him in his sports zest and we shared a moment there.

Soon after that, he stamps my border document thing and wishes me a good stay. PHEW!

I raced to the luggage area, and the promoter crew was still there. I had taken over an hour, and I was told they were already asking for replacement DJs as they were sure I was not showing up.

I still get suggestions to do US tours/gigs, mostly one-offs, and my reply always is, "Happy to do it if someone wants to arrange the tour AND a visa" (I still have some docs required for a visa saved, as there was a US agency who once promised to do all that but failed and did fuck all in the end).


⚫️ No decks at an outdoor event in Russia – нет проблем ⚫️

I sadly don't remember where this was, but it was an outdoor event somewhere in Russia, on a field. Good vibes, outdoor toilets and all that.

I was chilling in a tent close to the stage where I was supposed to play an hour before my set.

Promoter comes in with a friend and says, "There are no turntables: the techno crew on the other side of the field has them". I had of course made it very clear that I use turntables, and I'd need them, as I was traveling with the dear aforementioned Serato box and control vinyl.

There were no CDJs at that stage, which was no problem per se as I didn't really get into them until fairly late in my DJing career. But man if they had had some, I would've used them.

So what did I end up doing, not feeling I want to walk across a huge dark Russian field in the middle of the night and steal and bring a pair of Technics to my stage?

Sort of panicking an hour before my set, I learned how to use Serato on your laptop using your computer keys and trackpad. They had a DJ mixer, after all.

Let me tell you, that's not super slick or convenient. But I won't lie when I said I actually played a pretty dang decent set I was happy with. I don't think anyone noticed (or even cared) that I was looking like writing emails for the duration of my set! But I do not recommend doing that, and have not done that ever since.


⚫️ RUSSIAN BONUS MENTION with a good day, not using an AK ⚫️

In Moscow once, everything went smooth, and finally after the event, me and my friend were taken to the hotel. The driver accidentally entered a one-way street and drove a few meters the wrong way, and unfortunately there was a cop car real close.

They pulled our driver over immediately.

They were questioning him outside the car for a pretty long time, while there's another Russian cop nearly leaning on our backseat window while holding on to an AK that's nearly pointed at our window. WTF.

We were asked to go out and we had to present our hotel keycards and flight tickets and that took a while.

Finally we were let go and the driver, I heard, was taken the police station and was fined a pretty heavy sum of money.

Phew! You don't wanna fuk with the authorities in Russia.

(Bonus bonus: heard a story of some UK DJ getting busted for doing something other than alcohol at a festival in an ex-Soviet country.

The cop told the DJ that there's two options:

1) to proceed legally or 2) they'd go to ATM and he'd give the cop 1,000 pounds.

The DJ went for option 2, and the cop thanked him and he and got his substances back and the cop admitted he uses it too).



⚫️ I did have decks in Russia, but things got lost in translation…or something ⚫️

I believe this was in Moscow.

Being a Serato/vinyl user, I've always wanted to do a soundcheck well in advance, if possible, unless the promoter absolutely assures me everything is in tip top shape. So I wanted to do it here, too.

The schedule didn't really permit for that in a convenient fashion, and as I arrived to the club, they're already saying, they're going to start the event in 15 mins so I gotta be really quick. There were dudes finishing doing their techno live soundcheck on the stage, and there were plenty of people actually already dancing and enjoying themselves.

And I rush to set up my shit and just do a quick check (I only really need to see that turntables/needles are working and monitoring is fine). The needles were fucked and I could not beatmatch. Yeah, I hear you say, bring your own needles, and I didn't, and this was a lesson, too. Somehow you really learn things well when you learn them thru some sweating distress, right? Why does it often actually take just that and not just hearing the tips from people? In my defense, I had requested for everything.

So I'm trying to make things work and tell myself it's all OK so I wouldn't be shitting my pants all the time while waiting for my turn, but things were in a bad shape. I told the promoter, if I don't get proper needles, it'll be hell for me, as beatmatching is just pain. The promoter smiles and tells me to relax and finish my soundcheck.

I got some drinks in and just tried to relax, knowing it'd prob be stress ahead.

At one point, I see guys bringing in new Technics decks with price tags in them! That made me think, maybe things will turn for the better.

Soon after that, someone asks me to go to a room with nobody else in there. Huge tables etc. I sit down, and a waiter brings a menu. I forgot what I ordered, but it was prob something good: Russians are hospitable and food is always so good!

This was a weird moment, as it was the promoter's birthday, but I was being treated like a king (sort of normal in Russia TBH), and there were literally no other people in that room.

I finally get my food and get the first bites in, and immediately as I do that, a person of the crew comes in and tells me I gotta start DJing. I'm like, "Now?" and yeah, now it was.

So I went and did my thing. There were no needles. The whole set I'm sweating, as I love to blend and beatmatch, and I recall that being tough and I kind of hated the whole set just for that.

I had probably been playing for some 70 mins or something, and the promoter walks up to the stage, in good spirits, clearly enjoying his birthday. I told him, I'm so sorry if you can hear it but man I can't mix, like I told you in soundcheck! He says, it's fine, maybe you can play some Pantera song and then finish.

I did have Pantera on my HD and I dropped Fucking Hostile and finished my set.

Relief.

As I had finished and started undoing my Serato setup, I see the next DJ get up on stage, remove the needles I was using, and installing what clearly were some top shape needles.

DUDE.



🥵💻 Helsinki, Finland: stuttery live set💻😥

I was playing a live set at a labor day event in Helsinki.

I had played the same live set three times before recently - didn't feel bad about that, as it had been in other countries, so the audience hadn't heard it.

And that also meant I knew the set should be worry-free (creating a live set takes a LOT of time and testing so you know your computer can take it and won't start stuttering). Had been playing and practicing that set a lot at home, and sure enough it was road-tested.

Well, this one gig, the computer DID start stuttering really badly. First just a bit, but it got gradually worse, up to the point where people came to me trying to add something under the laptop, thinking it was because of hard drive vibration...but it was not that. CPU was getting hammered.

The set, for some reason, was now something my laptop couldn't handle anymore. I had not done a single thing to the computer (such as OS updates or anything…when you have a computer for live stuff, you don't do that).

Worst feeling in the world. I had played half of the set, and I just stopped, and some DJ started his thing, as I thought that might happen again.

Sigh. You live and learn. If you play live, keep the set very LIGHT.


⚫️ Russia flight woes ⚫️

This was in Tuymen, Russia, 2009.

If there's one basic-level request I'd have for a promoter, or a member of the promoter crew, it's that it's nice if there's a contact person that the DJ can talk to if he needs something – and I don't mean this in a "hey I'll need a beer now and a cocktail now" diva sense…but more like in a "We'll pick you up at 11:30 and take you to the airport" sense.

I've always been the person that's slightly worried/stressed about travel/flight schedules, but that's ensured I've never missed flights (due to reasons having to do with my own actions). This one was close.

I remember the promoter was having a lot of fun during the night, which is OK. I didn't stay super late, as I knew I had a sort of early flight back.

So I was taken to where I was supposed to sleep, and I clearly checked with the promoter that I'd be taken to the airport at a certain time. I was staying at the promoter's place.

Morning time, my alarm wakes me up, and the promoter isn't there. I call him up. He's still at the club, partying. Jesus. I told him I'll need that ride. The venue wasn't that far. He says he'll leave now and come ASAP. I waited for prob 60 mins or so and called again. He was still at the club and I started getting cranky, for a reason, and he said he'll come ASAP. And he did.

So in a moment, we're absolutely fucking speeding on the highway, hoping I'll make it to the flight. Stress levels 100. I make it to the airport, check in, asked about my gate (discussing things in English at remote Russian airports may not be as easy as you'd wish) and proceed to the gate.

Great, I know I'm sort of late already, or really close to the time of actual departure. There isn't even my flight info on the gate anymore.

Well, shit. Sort of loud, I'm trying to get attention, asking if there were people going to where I should be going. Well, it's remote Russia, and nobody seems to want to react.

Maybe it's not a juicy story, but if you've ever experienced this, you may know the feeling: you feel the flight has already left and there's barely anyone that can help you.

I probably looked pretty miserable. Finally a young couple comes to me and says the flight has been delayed quite a bit. OH HEAVENS THANKS. An absolute stress turns info relief.

So yeah, promoters, make sure you'll get the DJ back to the airport ON TIME (not 20-mins-before-departure-on-time…well on time!).

BONUS from eastern Europe: I had to take a train from the town of event to the airport. I was given a train ticket and very clear instructions, and double-checked everything with the person instructing me – not rocket science. Sit down, and get off at that stop. Except when I got off at the stop I was instructed to get off at and I see the train continue its journey, I see that the whole stop really looks like I'm really in some dead small town in the middle of absolutely nowhere – and I see a plane take off at some far distance. Had I got off one stop too early? Yes, I fucking had. Did this cause massive stress and was the airport a bit far? Oh hell yes. Did I finally make it on time? Yes, by some insane strike of luck I wandered around that dead town, ended up on a bus stop, and mentioned airport, and no way the person said there'll soon be a bus going to airport. I still get sort of regular nightmares relating to travel schedules, and these may be to blame, haha.


⚫️ Moscow: promoter is AWOL, and dude where's my ride?⚫️

So this one was a shitshow from the beginning.

Forgot the year, but Moscow it was.

Now saying unfavorable things about a person in public isn't great, but hey this one, I don't care.

I believe there was another, much bigger event in Moscow the same day. The promoter (a first-timer) had been informed about that but he didn't care: he wanted to have me and dgoHn play.

This person had arranged the whole event mostly alone, I feel, and it can take some work. He hadn't promoted things much. Well, I can live with that. At least I got to meet dgoHn (he's great and his music rules) and my russian friend there.

Well, not much to say about the event. I and dgoHn left pretty soon after dgoHn's set, taking a taxi to our hotel. The promoter was fairly shitfaced to say the least, around that time. He says he could go and get our payments now or pay us in the morning, when he'd come to our hotel and get us all a taxi to the airport. A big mistake was saying, "Morning is OK".

Because the dude never showed up at the hotel. Not a great feeling trying to call a promoter, and his phone is switched off (this'll happen again in another gig story in Latvia, you just wait). I can't remember what I discussed with dgoHn but we proceeded to the hotel lobby in hopes of the dude being there. He was not. Phone was off. Personnel at hotel lobby did not talk a word of English, and we didn't have any cash on us (we should've had some by now).

By some insane strike luck and to my surprise, my Russian friend, who had been at the show, was there. She arranged a cab for us and joined us for the ride. It took us a while to get going, but we finally did. Felt slightly stressed about schedule already when entering the taxi.

Haha, I remember the OG Russian Lada taxi "speeding" on the highway, some 50-60 km/h: I shit you not, I think its motor was busted, as it was slightly revving up and down, its speed varying all the time. I was stressing to my friend it's insane we're going this slow, as we gotta make the flight. My friend translated it, and the driver did the international finger symbol for needing more money (chafing fingers against each other) so he could drive faster. If I had had money, I would've paid him to reach at least 80 km/h!

I remember dgoHn doing this hand gesture, as if he's drinking from a bottle, laughing,  saying something like jesus if I ever make it home, I'll down a beer.

We made it to the airport.

I flew to St. Petersburg and had to kill some time there, as the return flights weren't the best. I was joined by the local DNB promoter crew for whom I had DJd and played live before…a good bunch.

I spent some 7-8h at St. Petersburg, texting the promoter saying wtf, where was he, and when will we get paid. I got some vague replies.

It was a long day in StP, as I was a bit stressed.

Finally, at the end of what felt like a long day, I'm taken to the airport. I wanted to leave that weekend behind, and it had felt pretty shitty. I was ready to go home. I waved at the car that dropped me off at the airport, feeling better already. You know the feeling when it's been a bit long but you know you'll get home soon and you'll be in bed soon?

I walk towards the security screening while looking at the large screen displaying the flights for the next few hours, just double-checking – I mean, what could go wrong at this point. Except I don't see my flight on that screen.

Once again, speaking English didn't bring many results. I walked to the security people and show my flight info, baffled as to why there's no Helsinki.

All the Russian lady could do for me is repeat, "Taxi! Taxi!" and do a hand gesture waving and pointing elsewhere. Fuck me, fuck me. I realized I had been taken to the wrong airport: they have two airports at Saint Petersburg. They're not even that close to each other. I dunno man, I was so tired, I probably wanted to scream some shit, but I just got a new ride to the new airport, travel-stressed again. Barely made it, but I did.

I did get paid for the gig at the end, but it took some hassling of the promoter. Turns out he had rented DJ gear for the event and hadn't returned it (some ppl from Moscow hit me up about that, asking for his contact info, as they couldn't get in touch with him).

Phew. DJing and traveling is fun!


⚫️ Portland, Oregon (and San Francisco, California) ⚫️

I'm pretty sure I had played Seattle the night before and I was now in Portland.

I had eaten quite a few burgers while in USA. So we wanted to have burgers before the show, and my agent, who joined me there, suggested a burger joint. We were about to walk in, as some pretty drunk couple storms out and starts fighting.

I recall saying something like, well, let's take this as a sign, and you know what, I've had so many burger meals, let's go for something healthier and look up some other joint.

So we went to some other restaurant where I ordered a chicken Caesar salad,  only to find out later the burger would've been a better option.

Fast forward to my set. Was supposed to DJ for 2 hours, but after one hour, I feel my stomach's getting absolutely fukked. At 1.5 hours, I had to go and tell my agent who was there that I'm feeling so bad, I cannot go on, and I need to stop.

Fast-forward to me running to men's bathroom. Except men's bathroom was locked. If you've ever experienced the heavy onset of food poisoning, you know you don't realy negotiate with it. At all. I prob stood outside the bathroom for a few seconds hoping the men's bathroom would open, but it didn't, so women's bathroom would have to do.

If you've ever seen a comedy movie where somebody vomits in a funny fashion and the vomit's coming out of some highly pressurized hose or something and the contents just FLY around…I'll say I thought things don't work out that way in real life, but that magical night, they did, and to this day, I feel bad about what the walls of that ladies' bathroom had to experience.

I didn't sleep one second that night, as I spent most of the night crawling from my bed to the toilet and back. Body was 100% emptied from everything.

What did not help was the fact that I had a somewhat early flight to San Francisco in the morning. So yeah, I was clearly going thru some sort of food poisoning thing. Man, was I feeling low at that airport. What kinda helped (but not with energy levels) was that at least my body was so empty of everything, there was nothing left. Hah.

Fast forward to San Francisco. I meet the promoter and his friend, and – bless them – they were STOKED and they were blasting jungle really loud in his car, while I feel absolutely drained and fucked: going on zero sleep, zero energy.

I had to be honest and say I may have to cancel this gig as, let's be honest, I'm really, really bad right now. I was taken to a very lovely couple's place where I got to to straight to bed and I got all sorts of fluids to drink. I repeated I may have to cancel as I'm fucked, but can I stay in bed till 8 p.m., and let's see how I'll be feeling then.

Soon it was 8 p.m., and it was a tough call. The idea of cancelling did feel bad, but so felt my body. Hell, I said I'd do it.

I was taken to the club around 10 p.m., and I prob played around midnight.

Party was AMAZING. There was even a couple who had just got married and they had traveled from pretty far just to SF to see my set. That made me feel a bit better.

It was a sick, sick event (literally and figuratively, haha!). I remember guys and girls raving hard, and in the front row, there were ladies trying to offer me whiskey, and trust me, normally I would've loved that…but I had to concentrate on not vomiting and shitting my pants!


⚫️Hungary

This isn't a hard-hitting story, but I recall an outdoor festival in either Hungary or Bulgaria where the weather really messed things up.

There was a 2-day festival coming up. There were several stages for different types of music.

I arrived the day before festival, and man, the weather was amazingly beautiful and sunny.

The day of festival, it was one of the worst rainy days I've experienced. I recall looking at the stage where I was supposed to play a bit before my show, and there was rain dripping down here and there, and I said, if you don't make the tarps better, no way I'm going to put my laptop on that stage, and things kind of look like some electrical hazard with this rain now.

I remember that's the only DJ gig I've done where my hands were absolutely freezing and I was absolutely hating to play. With cold-as-hell hands, it's not a joy to operate turntables. I hadn't brought any gloves, but it was so rainy and I guess you were getting sprinkles of rain on your hands anyways, tarps above you or not.

Can't say there were many people there, and the organizing party probably took a massive financial hit.

All I remember is that after the set, I went into some backstage warehouse where we were eating some food and downing some alcohol and that was that. Felt bad for the crew.


⚫️ Latvia: overall fuckery

There was supposed to be a proper nice warehouse rave in Latvia.

Seba, Macc, Paradox, and dhoHn were there at least, if I remember correctly.

Things started a bit shit from the very beginning, and as the person picking me up from the airport showed up, first thing he says is that the event prob isn't happening.

Reason, IIRC, was that they hadn't paid for an official license to do the event, and a rival crew had busted them.

I was taken to the venue anyways where I met the other artists. There were lots of people outside the building: it definitely would've been a decent event.

We proceeded to go to someone's place (I forgot who I was with) and had some drinks there, and all of a sudden I recall someone getting a call and he says there's now some ad-hoc event happening at some warehouse and we should go there. And we did (I and some of the ppl that were hosting me).

I recall Seba was playing as we get there, and they honestly had a decent rave going on already.

But there were some sad talks in the air and I remember clearly someone saying that this event doesn't really have to do with the event you were supposed to be playing at. I also recall hearing that the promoter was getting super drunk at his home, not answering anyone's calls. Well, at least the people from the crew were there, keeping me company.

I played after Seba, and IIRC it was a decent event.

However, I did notice after my set that the ppl of the crew that had been hosting me had left. Well, I try to call them, and phones were switched off. Well, shit. I didn't see other familiar artist there anymore either.

Basically, when you don't even know where you are and don't know anyone there, lemme tell you, that, in the middle of the night, is not the greatest of all feelings.

There were some people there that very super friendly and I had talked to them before this ad hoc event while we were somewhere else having some drinks.

I for sure would've loved to be taken to somewhere where I was supposed to be at that point to get some sleep, but as the offical crew had fucked off and switched off their phones (seriously, ppl like this should not book artists), the next best thing I could do was to join the crew of the ppl who seemed nice and friendly.

I don't fully remember how the night went on, but I do remember this crew I had joined wanted to go somewhere else for afterparty. It may not come to you super surprising that that wasn't what I would've loved to do, but I basically had no choice. Had no money on me (should've got paid by then), no credit card, and it wasn't the smartphone era yet when you could quickly look up some cheap motel and go there…I prob had some 2006-style Nokia on me or something.

Anyways, to this afterparty place we went, and people kept playing records at someone's crib and drinking more alcohol.

I remember being really damn tired but somehow worry-free (I guess worrying just makes you feel worse and sometimes you just gotta laugh at how stupid things to), and it was prob till 8 am or something that things went on. All I could think was I'm flying home really late the next day and I hope that works out.

Well, after the afterparty, there were two girls who seemed pretty sober and trustworthy and who knew my situation, and they said they know a place where I could crash.

What followed was a pretty long walk across the town – with me lugging around a really full bag of vinyl (yeah, I was playing only vinyl back then) that would be OK to carry for short distances, but some 3-4 km walk at 9 am after being up all night with a mega-heavy bag isn't a joy.

(You may get the idea by now that I've definitely endured some travel stress just for all the DJ travels)

So we finally end up at, well, some place, and things are looking cozy. I was told I could sleep on this sofa here, and the people I was with would do their best to contact the people responsible for taking me to the airport later that day. There was a couple living in that apartment and they gave me food.

Finally I'd get to rest.

So the couple greets me and leaves me to sleep in the living room and go to their room. Silence, peace, rest. Finally.

Except the couple starts fucking and moaning really, really, really loud, on the other side of the wall. I mean, yeah, it's your apartment and you can do what you want, but really? That lasted for at least 30 mins. Shit sounded like they were doing it next to you.

Everything felt really absurd at that point and I can barely remember the next few hours. I probably ate something and slept when the extra loud fucking ended.

I do remember that in some hours, people came to me and they said they had reached the dudes who were originally supposed to host me. They showed up in a few hours and paid me, IIRC, and I probably lectured them a bit.

I don't know if this story really conveys who long that night was, but long it was.

Stuff like this really makes you a bit cynical, but hopefully also in a healthy way, and you learn a lot about what you require when you travel.


🍻 Helsinki, Finland: I like good beer and my laptop does, too! 🍻

This must've been some 12-15 years ago.

So some of my friends used to do this nice DNB night at this small cozy venue/bar in Helsinki (I'll leave the name of the venue out) where they played the deeper end of DNB. I loved the night, as there wasn't really any dancefloor, so no-one had the pressure of playing bangers and making people dance: you could play anything. This one time, I was invited to play and was happy to join.

So it really never was unclear to anyone that DNB was the name of the game.

I had been playing for, well, not super long, when this fairly drunk dude comes to me, "Play something else! Do you have something else?" very stubbornly. Every DJ has had these at some point.

I kindly said to him that DNB was the theme for the night, like it's always at this particular night, and I would not play anything else. I wasn't being a dick: just stating a fact. You don't go to a house night and bitch about the music if you don't like house: you go somewhere else, d'uh!

He kept doing this, and a few times, I said the same thing, all friendly. But as that keeps happening, at some point you stop ignoring the person. I mean, you've done all you can, right?

I did notice he was getting more frustrated and a bit aggro each time.

Well, this escalated, and he went and he bought yet another beer and came and threw its contents on my laptop. The Pioneer mixer got some of it too.

My friends saw this, too, and it was no accident.

I was pretty damn baffled, to say the least, and I prob stopped the music and marvelled at all the beer dripping out of my Macbook – definitely a sight I had not got to witness before, so I was proud of gaining this experience! Bummed that I didn't get any pics of that.

The douchebag proceeded to run out of the venue where his friend tried to stop and hold him. I went to them like "What the fuck did you just do?" and he's just like "Um..um...I don't know" and I'm asking for some ID so we'd handle this thru his insurance company or whatever. He finally breaks free from his friend's grip and runs some 10 meters away, and I follow the guy, to some grill or kiosk or something where there's a bunch of people. I follow him with his friend. So this group of people he approached somehow were immediately on his side and they saw me and his friend approach him, and they were like, "Whoooah, what's going on here then?" and I tried telling them this dude just fucked up my laptop and DJ gear and is trying to escape but it started looking to them like we were the bad guys as they were sideing with him. I quickly gave up, thinking my laptop just got messed up and I don't need a beating on top of that.

I called the dude a day or two after as I got his info from the venue (they actually knew him), and he was just as douchey sober and didn't really want to do anything about it. I said my laptop is busted and I need to do a gig abroad next weekend and it's up to you to get me a working laptop. He laughs and offers me some really old defunct laptop and I said, "That old junk wouldn't even run the software I use" and he laughs and says, "Well, at least I've offered you something now!"

Basically I returned to discuss this with the bar, and they had already put in an insurance claim as an accident – without asking me at all – and I got paid the price of a new laptop in the end, and the bar guy actually let me use his laptop for the gig next weekend.


Well, that is it! No long finishing words – if you made it this far, I salute you!


Have you had bad experiences DJing? I'd LOVE to hear!


Make sure to tune in to my monthly Twitch DJ streams of jungle/DNB here.

I will announce the dates on my socials such as Instagram and Facebook so keep your eyes peeled.


You can find my mixes/podcasts here (podcasts show as icons, and mixes are at the bottom of the page).

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"Legacy" (Metalheadz) song walkthru [VIDEO]

Merry Xmas – I’ve got some viewing for all you DNB headz for when you’re wildly downing that eggnog!

Here’s a walkthru of my Metalheadz song, Legacy.

It's the song of mine that's got the most plays (if that matters at all).

I’m going thru the project and showing what’s happening, why, talking a bit about what I think makes a Metalheadz song, the importance of different song sections etc.

Class in session, so grab a classy brew and start making some notes.

Have a great rest of 2022, Xmas, and NYE ya'll!

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Update!

(yeah, correct, it is a bike in that pic – I took it outside the house an hour ago...we've got some snow here!)

So wanted to do a quick update on things to come and what's been.
You may have noticed I've been slightly silent here.
Well, reason is, I was rrrreally fecking sick with some monsterous influenza for a while. Didn't leave home for 10 days and I didn't know I could cough like that, and hearing was going in and out on some days.
Was smashing the most urgent end-of-year client work, though because I was hell-bent on kicking off a 2.5-week holiday today, Dec 14, and hey here I am, first thing I'm, dropping you guys this update!
(I had planned to do a nice video in December by now, but the influenza canceled those plans)


📽 A DAW walkthru video of a much-requested Metalheadz song of mine will come out this month (Dec) 📽

Want to drop a nice Xmas present your way!
Will go thru the song, structure, plugins, samples, and all that.
I'll drop you some samples to DL as well…you know how we do!


Another thing I'll want to do this holiday is a post about the most horrible DJing experiences (also relating to traveling for those gigs). I've had a top 10 list about those for a good while, and been waiting for the right moment to write about them.
I promise it'll be funny and slightly horrible and I want you guys to read it.

More will come, as always – can't reveal anything ;-)


What else?
I just got the release date for my next Metalheadz EP. Can't announce yet, but it's not far. Full art sleeve 4-tracker vinyl (digital has a bonus track, so five there).


I'll start a monthly DJ stream via Twitch soon (link to my channel), or maybe even bi-monthly.
I did a test stream in July and I really liked that, and interaction was good (the archive is here on Patreon and can also be found on the mixes page on my website).
Been DJing for 20 years and this'll be an extension of that passion!
Already looking like there's 3 gigs for 2023 in the pipeline, which is encouraging!


What's everybody looking forward to doing on holidays?

Me, will put the finishing touches on two albums of mine. Those albums will provide tons of Patreon content…videos, samples and all that ;-)
Will be hitting the outdoor gym, too, believe it or not, haha.
Remember, I'm a Finn!
There's also a Source Direct remix in the works, gotta work on some new breaky house stuff for Goldie and so on.

Thanks to everybody for sticking around…so next, expect the Metalheadz video next week, before Xmas!

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20 fresh snares! (download)

You remember Uncle Fanu promised to hit you up with some snares soon?
Well here they are!

20 snares – download
(and no sharing the link)

These are all copyright-free.
I've tried to keep these organic-ish and mallable: the stuff I would (and will!) use myself.
Good for DNB, trap, hip hop, doing custom breaks, and so on.
You can use these as main snares, layers, pitch them up or down, give them some roasting, and so on.

Also do check out the kicks I posted earlier.

Wanna say MEGA thanks for all the support once again…ya'll keep me going!

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Pro-Q3 kick/bass sidechain

Pro-Q3 kick/bass sidechain

So in a nutshell, place the EQ on your bass track.
Activate sidechain view to see the sidechain frequencies.
Create an EQ node, and turn its outer (dynamic) ring counter-clockwise.
Click on "auto" and then the little arrow-like button – this activates dynamic movement for the EQ node based on the incoming sidechain signal.
Notice that the incoming signal has to exceed the threshold (shown in the video).
Notice that the amount that you turn the outer dynamic ring down is the max amount of cut (dB) that it can do.

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Amazing speech sample source

Always willing to inspire others, I wanted to let you know about this cool speech sample source site because it's quite unrivaled!

Basically that site allows you to search for phrases of speech in a huge movie database. You also get to see what movie it's from.

Obviously you can sample it, but you can also download the movie clip!
(on Mac, I use Audio Hijack for recording any source).

You get to do a few free searches, after which a Patreon membership is required, but to me this is well worth the price.

Stay stoked and inspired…I'm wrapping up the next FatGyver album as we speak…it needed a few speech samples, and this was just the ticket.

New drums coming soon!

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Gotta love good EQing! (static vs dynamic EQing)

I'll soon have a new batch of fresh drumsounds coming for you, but check this.  Cutting the audio gunk out of your signal AND then boosting – dynamically! – the good parts of it can make such a big difference to your sound.

Especially useful with noisy and resonant samples.

Can technically be done with any EQ that offers dynamic EQing.

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Can you kick it? Have some fresh kickdrums! (DOWNLOAD)

Who wants some kickdrums?

Grab them HERE!
(no sharing!)

Basically, I was creating some kicks with Steinberg Backbone.
I did a bunch, scrapped some crappy ones, and here's a batch I think should be useful.
Some can be used as main kicks, some as layers…go wild.

I actually plan to give you more drumsounds and create a folder with some subfolders…so this means you'll get some hihats and snares soonish, so stay tuned!

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Why should you limit your master?

I got this question:

"Would there be any benefit to temporarily putting a limiter on the master in order to highlight any issues in the mix (I mean would it highlight anything too loud in the mix or annoying frequencies)?"

This is a good question, and I'm happy to answer this. Even if you're not that interested in mastering, this can be useful, because it can kind of give you some feedback on your mix.

First, quickly in a nutshell about what a limiter (also known as maximizer) does: it removes peaks from your signal. This allows you to make the signal louder, because after the peak removal, the signal can be normalized louder, i.e., its level can be raised without peaks going over the ceiling, which'd cause the signal to distort.


So as for the original question then!
It can be good practice to try and limit your master so that it's as loud as your chosen reference songs.
Pick some songs that sound good and are as loud as you prefer. Then use the limiter to raise the loudness where it matches with that of the reference song(s).

Once it's loud enough for you, listen to the signal:

• Is it distorting?
If it is, some of these may apply:
-you're trying to to go too loud,
-you'd need another limiter for extra help (see bottom of post),
-there's too much bass,
-the low-mids are too chunky,
-something in the signal is too loud, e.g., some sound that occurs every now and then plays too loud (if it only happens every now and then)
-the kick may be too long and it overlaps with bass (keep your kicks as short as possible: long bassy tails often cause trouble with limiting).
TIP: some limiters such as Invisible Limiter have a Unity Gain feature, which doesn't raise the level when limiting, so you can try and push it till you hear the sound starts to get a bit too distorted – then you just dial it back a bit, and that's prob as much limiting that limiter can do. When you disable Unity Gain, the signal gets loud.


• Is it softening the signal?
In some cases, when a limiter is pushed too much or if it's kind of overworked, it gets soft and the drums can get a bit mushy. This is why always use two limiters or the help of a clipper (only when going rrrreally loud though…a clipper can easily cause extra harm and loss of dynamics).
Also sometimes if the bass does some sudden level jumps, this may make the limiter act a bit soft. Try two limiters, or tame those jumps in the mix (e.g., every now and then I may use a very slight limiter or compressor on the bass track in mixing) OR use a multiband compressor or such to tame that jump.
Also, if your mix is really transient-heavy, you may want to soften that a bit: just don't make the transients so sharp, use oekSound Spiff to make them a bit rounder, or use a clipper before limiter to tame the transients a bit.
BTW, do check out my video on clipper vs limiter differences!
FWIW, I seldom use a clipper.

So in a nutshell, when you use a limiter (and especially two) to make your song as loud as good commercial masters, and if it distorts or the sound breaks, the mix will need some work. So in this way, limiting your master gives you some feedback on your mix.


Lastly, two VERY important points!

1) when you want to do really good limiting, I advise you to use two limiters to share the heavy lifting, and you'll get a much cleaner result than with just one. There may be cases with some less loud styles where one limiter is fine, but with things like DNB etc., two limiters are needed.

2) DAW limiters cannot handle good master limiting. Period. Pretty much any DAW limiter will make the master soft or mushy (while they're ok for some peaks on tracks in mixing, should you care about that).
For good limiting, you'll need a good third party one (Izotope Ozone Maximizer, AOM Invisible Limiter, and DMGaudio Limitless are some I can recommend)

Any Qs? Hit me up!


🥁 PS: I've been creating some drumsounds, and will link you to some SOON! 🥁

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Filthy modular bass action with Ableton Oscillot (Max For Live)

Modular bass growl filth with Ableton Live from scratch? Hold my beer!
Using the modular Oscillot synth (a M4L pack).
Let's build a basic one-osc synth and get growly…the power is in that filter!

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Breakbeat session: Rock Dirge [video, 40+ mins]

So let's get this breakbeat thing rolling!
Got lots of requests for that.


https://www.dropbox.com/s/hrefo8z49ypnq3b/dirgepatreon.mp4?dl=0
(NO sharing the link! But feel free to tell your friends about my Patreon)


I took a break I've been working recently and I'm going thru that.
Covering some of the basics like how I chop, what do I look for in a break, how you can change its vibe and so on.
Also talking about what makes a break, how they used to sound, how things started sounding later on in DNB, etc…just a break nerd lecturing for ya'll.

Feel free to slap ANY questions in: I don't mind the interaction!
I hope I didn't miss anything super obvious; lemme know if I did.
All comments and questions will be welcome.

This break has a very interesting tone, and it was used by Photek, too, so I thought it's nice to check this one out.

Just trying to promote using and experimenting with breakbeats.
More Addictive Drums 2 stuff is also in the horizon.
But let's kick off the breaks series with this one.

More will come, trust me!

PS: The Ableton discount link expires Nov 14.

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Breaks content will come…on Patreon

Ez ya'll!

Just letting you know that I've been planning the Patreon horizon, and a lot of the recent requests have to do with jungle and chopping breaks.
I've been into that for some 25 years now...still as fun as it ever was!

Sooooo, letting you know I will be going thru some of that stuff on my Patreon this fall!

So…watch this space 👀

Also big thanks to everybody for the support...you keep me going ❤️

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Denoising a drum loop with new Bitwig Loud Split plugin [video]

Audio enginerding stuff here!


Seems the Loud Split plugin of Bitwig's new Spectral pack is pretty nice for controlling the amount of noise in a signal. 

Making drums less noisy here, and also going super noisy!


It's interesting, as good denoising isn't always a walk in the park, but this new type of loud/quiet split tool should be good for that (this should be a good tool for dialogue denoising, too).


PS: I’ve seen these paid Bitwig plugins have caused an uproar. I'll stay out of that topic.

Audio engineering is my living, and this is a good tool for that. This'll help me in my work every now and then, so in that regard, the expense is OK to me.

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Vital synth bassics!

A good request was, "Could you show how to create basses with Vital?" so hey let's do just that!
Vital is a great-sounding FREE wavetable-synth you should grab.
So let me show you how to create a nice, moving, Reese-ish bass sound as well as a growly plucky one to get you started with it!

Video here (no sharing):
https://www.dropbox.com/s/zfidh5e2q70v5he/vital.mp4?dl=0

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Let's create dope new drumsounds from scratch or emulate them with Backbone DrumGAN! [video]

I really want to let you know about this new DrumGAN feature of Steinberg Backbone.
It can create new drumsounds for you from scratch OR emulate a drumsound you drop in.

I've stayed away from synthesized drumsounds most of the time, as they just don't fit my style (they rarely sound organic enough), but there's a new badboy in town, and it's the new Sony-developed AI feature, DrumGAN, that's now baked in on Steinberg Backbone.
And I really do like the results…finally organic, fresh, new drumsounds.

VIDEO HERE (no sharing):
https://www.dropbox.com/s/2vhzjuhgf85uw36/DrumGAN.mp4?dl=0

Also, my earlier public Backbone video here that covers a bit of its functionality (so to clarify, in this new video I mostly talk about the new DrumGAN AI feature, which really makes it all worth it in my book).


I'll soon do a Patreon-exclusive drumpack of useful drumsounds (audio/wav) I've created with this, so stay tuned for an exclusive drums sample pack download!

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Let's create techstep DNB beats! (Alien Girl drums) [25-minute video]

I recently did a nice session with a patron using a drumloop he gave me, which is the original drumloop that was used in the classic Alien Girl tune by Ed Rush, Optical and Fierce.

So here's me having a go with it, layering things a bit and doing some analog-modeled processing to glue the drums together more and add some energy and dirt to the sound.
Let's get that low-level signal up for added body and full tone.

25 minutes of drumbreak nerdery, here you go!
(no sharing: this is all Patreon exclusive)

https://www.dropbox.com/s/hzr9ykaddhmjs1w/techstep.mp4?dl=0

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Create a healthy sub bass with Serum (fix the Reese bass / two-oscillator sub bass drift problem) [video]

It's easy and fun to create two-oscillator basses such as Reese basses with Serum, as they sound lively due to the movement caused by two detuned oscillators.
However, this often causes a problem with sub bass, which will also drift in and out, which we don't want: we want a solid sub bass level.
This video shows you how it's easy to fix this with Serum.

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Clipper vs limiter [20-minute video]

Today, I'm telling you about using limiters and clippers.
Where they differ, what's similar, when you should use either, and so on.
Join me for this 20-minute audio engineering lecture!

WATCH HERE (no sharing)


BTW, after I had filmed this I realized I prob didn't mention this, so I'll just write this here:
*IF and when* I use a clipper on the master, I *always* use it *with* a limiter for the final product, to make the work of a limiter a bit easier...I NEVER only use a clipper for all of the loudness job.

Any Qs? Hit me!

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Short Studio Masterclass #3 [video]


👉🏻Watch here 👈🏻
(no sharing, as it's Patreon-exclusive)

So in this series, I want to take a song I'm working on and go thru some things that I feel are interesting. Can be song structure, sound choices, plugins etc.
Aiming to keep more bite-sized than mega masterclass, so this is 24 minutes long.

In this episode, talking about how to build a song from intro to its busy part and checking some useful plugins in the process, too.

Hope it gives you some ideas!

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Coming up this weekend…exclusive video stuff!

Aye ya'll!

Just letting you know briefly that very soon I'll be publishing the first episode of my new miniseries, Short Studio Sessions.
In those sessions, I'll go thru things relating to making songs I've been working on recently: song structures, mixing tips, as well some interesting check-out-worthy plugins I want to show you.

The first episode features a new, unreleased house tune.

So, stick around, for some exclusive goodies are around the corner!

Also, feel free to mention topics you'd like me to cover: I always want to try and take into consideration your ideas and questions relating to making music, mixing etc.

See you soon…stick around, as goodies are coming soon! 🎥
Hope everyone's had a good week so far!

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Twitch stream 24 July (video archive / download)

First STEAMY SUNDAY STREAM on Twitch is done!

Watch/download the video from Dropbox 

What tune in the mix made me feel I need to take a shower after playing it? You have to listen to the archive to find out (I do mention it).

The Twitch sets will be streamable from my Twitch account for two weeks, and they they’ll be available as a download from Patreon.

Thanks to everybody for tuning in to the show; feeling good about its future.
I have so much jungle/DNB and related nerdy knowledge to give you (I speak on the streams).

Now go play the show while downing a classy brew!



July 24 TRACKLIST:

Fokus: Online (Dee Jay)

Intense: Streams of Thought (Creative Source)

Msymiakos: Hold Tight (Straight Up Breakbeat)

Plug: Military Jazz

DJ Sofa: Jos Elämääni Saavut

Esc: Lumberjack’s Groove (Straight Up Breakbeat)

TRC2: Surrounded (dub)

TRC2: Sub Rhythm (Lightless forthcoming)

Duburban & Jahganaut: If You Want My Love (dub)

dhoGn: Puppet [Equinox remix]

Om Unit: Ulysses remix

Instra:Mental: Sakura (Darkestral)

Dak: Junk 8 (Lightless)

TRC2: Milestones (Bandcamp release)

Fanu: Perky Percolator Jam remaster (Lightless)

Tek Unlimited: Primal Drums (Inperspective)

New Skool Society: The Natural (Reinforced)

Sounds of Life: A Spice Of Jazz (Certificate 18)

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First Twitch session (Jul 24)

So I’ve decided to start streaming DJ sets via Twitch (I may make downloads Patreon-exclusive)

First test stream is happening today, and very soon.

EDIT: Downloadable here now! 

At 14:00 CET time (1 pm UK time), join my free Twitch to witness how well (or awfully badly) my first-ever stream will go…yikes!

Be there and drop a comment in the chat if you can hear me etc – will play some tunage and speak some nervous nonsense😊

https://twitch.tv/fanufatgyver is my channel

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Free download from the archives


Here’s an old one from the archives!

Fanu: “Hämärä”

(Soundcloud has downloads enabled)

This is 10–15 years old!

I sampled a Finnish vocal group back then, and I was excited about this.

I kept contacting their agent, trying to discuss if they’d allow me to use the vocal, so I could use it in the song and feature it on my album back then.

Comms finally dried up, and back then, in frustration, I deleted the whole project.

I regretted that later, because the song kept coming back to me in my head.

Also, I had played it in some sets and mixes, and I was getting Qs what the song was and it it’d ever come out.

I had deleted the .wav in frustration, too.

Ppl asking me about it made me feel even more bummed out as all I could say was “I don’t have the song anymore”.

That was a major bummer.

Well, what do you know, the other day I was rummaging thru some old projects in my Dropbox that has a ton of stuff, and I found the .wav file!

I never fully mixed this one properly, but thru some mastering I just did, I think it actually sounds quite OK, considering I never really fully finished it.

So here it is, finally - enjoy “Hämärä”!

(means “dark”, “gloomy” or “dim” in English)

Should any copyright owner or such party request it, contact me and I will take the song down.

I’m requesting no payments for this song and it is not being used for any monetary purposes.

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Let's talk about mixing kicks! [VIDEO]

I received a good question: what do I take into account in mixing kicks?

VIDEO HERE (25 mins)

In this video, I go thru the things I always look for when mixing kick drums.
Covering the plugins I always use and go through some thoughts.
If these won't make the kick work, the kick probably sucks!

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Get SP-12 drums! .wav, Ableton drum rack, Bitwig, Redux/Renoise! (download)

Slamming you with SP-12 drums sampled from my SP-12 AND instruments for Ableton Live 10 & 11, Bitwig Studio, and Redux/Renoise.

If you've been hanging around on my Patreon long enough, you'll remember that I originally did a rack for Ableton Live 10.
Now, I did an updated version for Ableton Live 11 (basically just named the pads, thanks to Esa Ruoho for the reminder!), Bitwig Studio, and Redux (can be loaded in Renoise, too).
In the folder, there's a .wav file, and Ableton Live and Bitwig Studio will ask you where the .wav is located, so that's up to you – feel free to store it wherever on your computer, of course. Redux instrument has it built in.

🗂Folder with the .wav and the instruments is here📂

The Ableton Live rack has some special controls, while Bitwig and Redux is bare bones samples only (btw it sucks that you can't rename the pads on Bitwig).
There's a Youtube video demoing the Ableton rack here.

If you notice anything is off or wrong, holler, and I'll fix it!

Till the next time!

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Sound design tip: oldskool jungle style timestretch! (Bitwig)

Been digging more and more into Bitwig Studio, and wanted to find out how to do this oldskool jungle type timestretch effect. Here's two similar ways!
First method is very interesting and more Bitwig-specific, but the second one is more applicable to most samplers.

🎥 Peep it here! 📽

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Song walkthru video: Amos Keato - Some Dread Purpose (Fanu Remix)

Class is in session!
Here comes a video (47 mins) walkthru of my recent remix for Make Or Break label:

GRAB VIDEO HERE! 


(Patreon-exclusive, so please dont share the link)

In this video, I'm talking about breaks, things relating to chopping them, what I look for in a break, some of the processing, bass stuff, how the song evolves and what I find important in song structures etc...
I find that especially in terms of songs structures, there's not a whole lot of info out there, so wanted to cover that once again as well.

I hope you find some useful nuggets here.

If you have any questions, holler at me!

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